TCM CLASSICS FEST, PLUS AUTRY EVENTS, NEW FREE WESTERNS ON-LINE!

Laurel 'helps' Hardy in WAY OUT WEST

TCM CLASSIC FILM FESTIVAL THURS-SUN APRIL 6-9!

America’s finest classic film festival begins this Thursday in Hollywood.  Ever since 2010, Turner Classic Movies has brought attendees the finest movies in history under the best of circumstances, and this year is no exception.  ‘Make ‘em laugh!’ is this year’s theme, and comedies outnumber everything else, but there is enough Western interest to keep us placated until next year.

The main venues are the Grauman’s Chinese Theatre (technically the TCL Chinese) with its immense IMAX screen; three theatres within the Chinese Multiplex; Grauman’s Egyptian Theatre; The ArcLight Cinerama Dome – and yes, there will be films in Cinerama; The Montalban Theatre; and poolside at the Hollywood Roosevelt.

Dawson's busy Main Street

Thursday night at 6:15 they’re showing a new documentary, DAWSON CITY: FROZEN TIME.  Back at the turn of the 20^th century, in the middle of the Yukon gold rush, Dawson was the last stop for movie prints that had been shipped from town to town across the country.  No one thought it was worth the expense to ship them back to Los Angeles, so more than 500 reels of film – tons of them Westerns, several about the gold rush -- were used as landfill under a skating rink, and the land was so cold that the permafrost preserved many thought-to-be-lost films starring William S. Hart, Lionel Barrymore, Lon Chaney, Douglas Fairbanks, Harold Lloyd, and many others.

On Friday night at 7:15 with THE GREAT NICKELODEON SHOW, the earliest days of movies, when shorts were played as part of vaudeville shows – will be celebrated.  I think it’s a mix of film and live performance.  At 9:15, the festival will premier the restoration of a very rarely seen Western musical – the first 3-D musical ever – THOSE REDHEADS FROM SEATTLE (1953).  It stars Agnes Moorehead as the mother of four beautiful daughters, including Rhonda Fleming, who brings them to the Gold Rush in Dawson! (Agnes also had a son in the Gold Rush named Charles Foster Kane.) It also stars Gene Barry and Guy Mitchell.  The TCM Festival is much like Ringling Brothers’ Circus, in that there is always much more going on than you can see.  At the same time as REDHEADS, other venues will be screening the classic mystery LAURA (1944) starring Gene Tierney; THE TWENTIETH CENTURY (1934), featuring John Barrymore’s finest comedy performance; Val Lewton’s terrifyingly sexy THE CAT PEOPLE (1942) starring Simone Simon; and Mel Brooks will be introducing his comedy HIGH ANXIETY (1977). 

Wayne & Clift in RED RIVER

Saturday morning starts at 9 with a screening of the best movie about cowboys and cattle drives ever made Howard Hawk’s RED RIVER.  At 3:45 pm, Laurel and Hardy’s Gold Rush comedy, WAY OUT WEST (1937) will be introduced by Dick Cavett.  Incidentally, when they sing The Blue Ridge Mountains of Virginia, and Stan sings a bass solo, that’s actually future Oscar nominee, for THE ALAMO, and voice of Francis, the Talking Mule, Chill Wills.

On Sunday morning at nine, DR. STRANGELOVE (1964), that movie that made Slim Pickens a star, will screen.  At ten it’s the new restoration of THE EGG AND I (1947), starring Fred MacMurray and Claudette Colbert as city-folk who move to the sticks to become chicken farmers – for better or worse, it was the birth of the Ma and Pa Kettle series, and co-stars Marjorie Main and Percy Kilbride.  Kate MacMurray, daughter of Fred MacMurray and June Haver, will attend. 

Finally, at 2 pm they’ll be showing a new documentary, REPUBLIC PRESERVED.  Paramount Pictures now owns Republic Pictures’ film library, and is restoring it – the film features clips from many of their westerns with John Wayne and Roy Rogers, serials, and British quota films, many that haven’t been seen since the original release.

Sadly the festival will lack the great Robert Osborne, but among the many great talents who will be attending will be Carl and Rob Reiner – who will be getting their footprints in cement, Beau Bridges, Dana Delaney, Keir Dullea, Peter Bogdonavich, James L. Brooks, Buck Henry, Norman Jewison, Qunicy Jones, John Landis, Ruta Lee, Leonard Maltin, Bob Newhart, Sidney Poitier, Martin Sheen… the list goes on and on.

While the Festival Passes can get very pricey – packages run from $299 to $2,149, the good news is that you can attend single movies for $20, ten if you have a student i.d.  The singles are stand-bys, so there’s no guarantee that you’ll get in, but it’s certainly worth a try!

To see the complete schedule, visit the official website HERE.

‘SMOKY’ SCREENING AT THE AUTRY SAT., APRIL 8 AT 1:30 PM

As Part of the Autry’s continuing ‘What is a Western?’ series, SMOKY (1946), will screen in glorious 35mm!  It stars Fred Mac Murray and Anne Baxter, and is directed by Louis King.

‘A WORD ON WESTERNS’ TUES., APRIL 18 AT THE AUTRY!

Once again, producer, film historian and Western crazy Rob Word will bring his ‘A Word on Westerns’ presentation to the Autry’s Wells Fargo Theatre -- doors open at 10:30, program starts at 11 -- this time examining the elusive world of the Western TV movie and miniseries.  There’s a good argument that most of the best Westerns of the last few decades have been created for the small screen – can any feature top LONESOME DOVE?  Tom Selleck is one of the finest Western leads to come along in years, but aside from QUIGLEY DOWN UNDER, all of his Westerns have been made for TV.  Guests will include stars Stephanie Powers and Jeff Osterhage.  Admission is free with Museum admission – but you have to buy your own lunch!

‘WESTERN RELIGION’ FREE ON-LINE!

One of the great frustrations for Western fans is that over the past few years, some of the very best new Westerns have been low-budget independents, which can be extremely hard to track down. Recently WESTERN RELIGION director James O’Brien took a break from preparing his next project, a pirate film, to let me know that WR is now available, for free, online, through Popcornflix, on YouTube.  “Popcornflix is an arm of Screen Media Films, the distributor of WR. They released it free on that venue for the ad revenue. It's not delivered widescreen, how it was shot, but it does get a lot of eyes on it, which at this point is the main objective.”  You can read my review HERE.

Popcornflix offers some other fine films as well, including the dark Australian Western DARK FRONTIER (review HERE), and the comedic New Zealand Western GOOD FOR NOTHING (review HERE).

…AND THAT’S A WRAP!

In next week’s Round-up I’ll have details about the Santa Clarita Cowboy Festival, coming from April 19^th through the 23^rd at William S. Hart Park – in the meantime you can learn all about it HERE.

I’ll also be paying tribute to a pair of fine talents we recently lost, Western novelist and screenwriter Stephen Lodge, and Alessandro Allesandroni, a musician and whistler who will always be best-remembered for his contribution to Ennio Morricone’s score of A FISTFUL OF DOLLARS.  He did it live for the BBC, above.  Have a great week, and hope to see you at TCM, and at The Autry!

Happy Trails,

Henry

All Original Contents Copyright April 2017 by Henry C. Parke – All Rights Reserved

HAPPY PRESIDENTS’ DAY! ‘FREE STATE OF JONES’ REVIEWED, PLUS CIVIL WAR IN SIMI!

FREE STATE OF JONES – A Film Review

Matthew McConaughey and Jacob Lofland

One of the much-anticipated films of 2016, which disappeared far too quickly, THE FREE STATE 

OF JONES is a remarkable, though flawed, film about a largely unknown aspect of the Civil War.  ‘Based on actual events’ (how we dread those words), JONES is the story of Newton Knight (Matthew McConaughey), a Confederate Army nurse who deserts, skins home to Mississippi, where he finds the Confederate home guard is using the cover of war taxes to rob and starve the poor folks who’ve stayed behind to keep the farms running.

Mahershala Ali and McConaughey

Playing cat-and-mouse with the Reb Army, Newt helps the farmers resist, and when he’s driven into the swamps to avoid capture, he allies himself with runaway slaves.  He fashions an alliance between the poor whites and blacks that becomes a ragtag army, and soon a force to be reckoned with, even offering assistance to Union General Sherman.  McConaughey’s performance is terrific.  He’s powerfully supported with several standout performances, including Mahershala Ali as the runaway slave Moses – currently Oscar-nominated for MOONLIGHT and co-starring in HIDDEN FIGURES, Gugu Mbatha-Raw as Newton’s would-be wife Rachel, and Jacob Lofland as a boy pressed into military service before he’s ready – watch for Lofland in AMC’s upcoming THE SON. Keri Russell as Newton’s wife is fine, but one wishes she had more to do.

Keri Russell & Gugu Mbatha-Raw

Writer-director Gary Ross who wrote THE HUNGER GAMES (2012), and wrote and directed SEABISCUIT (2003) and PLEASANTVILLE (1998), writes and directs beautifully within scenes, but the overall vision is what probably brought the picture down.  Simply put, all of Newton’s heroic efforts are for naught.  There’s a stirring sequence where Newton and his men pounce on a military transport in the forest – in the best sense it recalls the great Errol Flynn adventure films, with Newton as a drawling Robin Hood.  But if the Sheriff of Nottingham is ultimately the winner of the tale, the letdown is great. 

The real Newton Knight

The story is repeatedly interrupted with a flash-forward sequence, either the 1950s or 1960s, where presumably a descendant of Newton’s is on trial, and the suggestion is, even almost a century later, things aren’t much better.  Here’s a spoiler if you haven’t seen THE GREAT ESCAPE (1963).  Do the POWs accomplish everything they want to?  No; some are killed, and almost all are recaptured.  But they know they’ve made great problems for the Nazis, and when Steve McQueen returns to solitary with his baseball, you know he’ll be busting out again.  FREE STATE OF JONES needed that kind of hope.  FREE STATE OF JONES is available on DVD and BluRay, on Amazon Video, and all manner of platforms.

CIVIL WAR DAYS AT STRATHEARN PARK

Rebs tune up

Friday’s rains had been heavy, and sporadic rain was falling on Saturday, February 11^th, turning some walkways into muddy creeks.  “Rain?” scoffed a Rebel sergeant?  “You should have been at Gettysburg!”  Good point.

The Strathearn Park and Museum, in Simi, just a couple of miles from the Reagan Presidential Library, is a 19^th century oasis, which includes ranch and farm buildings, Ventura County’s first library building, a mansion, and some smaller homes. 

This weekend they were hosting Civil War Days – Union encampment to the left, Confederacy to the right, as you entered.  Unusually, there was an enlistment booth right in the middle.  Kids chose a side, and were issued a blue or grey kepi, a wooden rifle, and sent to boot camp.  I thought it was a terrific way to get the kids involved, to immerse them in the history. 

Choosing sides

The rain had slowed me down – I had missed both the 11 a.m. skirmish, and the Gettysburg Address, but caught up with President Lincoln, and had a nice chat. 

My great moment with Mr. Lincoln

I hurried to the barn in time to watch a square-dance class, where ladies in antebellum gowns and gents in uniforms of varying rank joined women in yoga pants, cavorting to the caller’s instructions.

Later, while enjoying a bowl of chili in the barn, I looked up at a souvenir display and spotted a pennant from one of the area’s bygone historical attractions, Corriganville. 

I was determined to catch the 2 p.m. skirmish, so I kept an eye on my timepiece while I checked out the encampments, historical buildings, and was in the gift shop/bookshop when a cloudburst trapped several of us for a quarter hour. I ended up buying a stack of TimeLife Civil War volumes.

Bailey-Denton Photography had a fascinating display of period photography, as well as their own, using the old processes; they make tintypes and ambrotypes – photos on blue glass. 

In the Visitor Center, we were treated to what was billed as a Civil War Era Clothing Demonstration. It was actually a slow-motion, and very lady-like, striptease, as a Southern belle removed layer after layer of petticoat, hoopskirt, corset, with a narrator describing each garment. 

Sadly, I don’t know how far the lady went, because it was suddenly 2 p.m., and I hurried outside for the skirmish, and like the others gathered there, I waited.  Having attended a few Civil War reenactments, I knew a few things. Principally I knew that the most available free standing room is by the cannon batteries, and for a very good reason: hearing loss.  But there were no cannon to avoid.  

A Confederate combo had been playing throughout the day, and now a Union band marched and played.  We waited. The field of battle was mud, and empty.  

Taking advantage of the delay, a squad of grade-school Union recruits took the field under their commander.  A Rebel troop soon did the same.  On command, they pointed their wooden rifles and yelled, “Bang!”  They ‘reloaded’ and did it again.  I checked my watch. “Bang!” Some kids were dropping in the mud.  I gave them credit for letting themselves be hit, instead of yelling, “Missed me!” like me and my friends always did.  

Rebs take the field

As I was checking my watch for the third time – 2:40 p.m. – it suddenly dawned on me: this, with the little kids and their wooden rifles, was the 2 p.m. skirmish!  I looked up; the Confederate sergeant was by my side.  “What were you expecting: Gettysburg?”

The 2 o'clock skirmish.

AND THAT’S A WRAP!

Barry Bostwick

Walter Huston

Happy Presidents’ Day!  I was going to list all of the movies on TV today that are about Washington and Lincoln, but as far as I can tell, there aren’t any.  There aren’t any about the other Presidents, either.   So, I don’t know where you can get it, but I’m recommending Barry Bostwick’s portrayal of Washington in the 1983 miniseries GEORGE WASHINGTON.  I checked for other portrayals on IMDB and sadly, almost all are comedy sketches.  And I’m recommending Walter Huston’s portrayal of Lincoln in D.W. Griffith’s 1930 film ABRAHAM LINCOLN.  I’m not saying Huston is better than Raymond Massey or Henry Fonda or Daniel Day Lewis; but he’s awfully good, and rarely seen – and it’s in public domain, so you can see it anywhere – I’ve posted a link to it on Youtube below.  You might also want to check out Bill Oberst Jr.’s Lincoln in ABRAHAM LINCOLN VS. ZOMBIES.  He does a particularly fine reading of the Gettysburg Address. 

Happy trails,

Henry

All Original Contents Copyright February 2017 by Henry C. Parke – All Rights Reserved

MODERN HORSE-OPERA ‘RUNNING WILD’ REVIEWED, PLUS ‘UNDERGROUND’ RETURNS, ‘THE SON’ AND ‘THE HERO’ ON THE WAY, AND MORE!

RUNNING WILD – A Film Review

What do you do when you’ve gone through all of your wife’s money, incurred tremendous debt, and still failed to save her family ranch?  One option is to drive your truck headlong into a tree at 80 miles an hour.  The young, sheltered and coddled socialite widow, Stella Davis (Dorian Brown Pham) is blissfully unaware of her dire situation until, with her husband’s death, she learns that she’ll lose everything she owns in ninety days.  Compounding her worries, several starving horses have wandered onto her property, and though she can barely afford to feed her own stock, she hasn’t the heart to push them out.

Stella gets more bad news

Desperate to create some income, she and her foreman Brannon (Jason Lewis) sign the ranch up for a prison program that prepares convicts for freedom by teaching them to train horses – the same program, Stella learns, that Brannon came out of.  Now Stella must contend with debts, surly and dangerous cons (including SONS OF ANARCHY’s Tommy Flanagan, Tom Williamson and Michael Girgenti), and ‘friends’ like Jennifer (Christina Moore) who say they want to help, but would love to acquire Stella’s ranch and stud horse at a fire-sale price.  But the biggest threat comes from Jennifer’s sister, Meredith Parish (Sharon Stone), a richer-than-Trump widowed animal-rights loony who thinks that all horses should be free – saddling one is tantamount to slavery!  And she’s a media darling with the meanness, savvy and power to destroy Stella.

The animal activists you love to hate!

Effectively written and acted, populated by interesting characters – particularly the cons – whose stake in the outcome grows as the story progresses, RUNNING WILD is an entertaining and enjoyably hopeful film.  French-born director Alex Ranarivelo has gone from zero to sixty practically overnight, from directing shorts to directing six or eight features back-to-back for ESX Entertainment, of which RUNNING WILD is the first to be released.  And he has a skill with both drama and action – no surprise with the latter, considering his background in street racing.

Interestingly, some of the on-screen talents are stretching their legs in unexpected sides of the production.  Sharon Stone, clearly willing to be beautifully detestable, is one of the producers.  And her screen sister, Christina Moore, co-wrote the screenplay with Brian Rudnick.

Searching for runaway horses

While the plot is more than ample to hold your attention, this neo-Western has something on its mind beyond the conflict of its characters – exposing the plight of thousands of wild horses, overpopulating government land, left to starve, or rounded up and incarcerated (am I starting to sound like Sharon Stone’s character?).  A related approach to this problem is shown in the fine documentary WILD HORSE, WILD RIDE (read my review HERE ).

Convicts get to ride -- with the law right behind!

 RUNNING WILD is now available at selected theatres, and on demand, from Sony Pictures Home Entertainment. 

Luckily Brannon has a way with horses.

LOS ANGELES-ITALIA FESTIVAL FEB. 19^TH – 25^TH AT THE HOLLYWOOD CHINESE!

Franco Nero with Joan Collins

One of the truly not-to-be-missed annual events in L.A., The Los Angeles-Italia Festival, under the auspices of the Consulate General of Italy, is a week of Italian culture and Italian films, and all of the screenings are free, on a first-come, first-seated basis.  In addition to many American premieres of Italian films, as well as some world premieres, there are many screenings honoring Italian actor Marcello Mastroianni, and Italian-American actor Dean Martin.  Some years have included many Italian Westerns, but the pickings are pretty thin this go-round.  On Tuesday, Feb. 22^nd at noon, RIO BRAVO, starring Dean Martin, will screen.  On Wednesday, at 10 p.m., a new Western short starring Franco Nero, ALONG THE RIVER, will screen, and Nero will be present.  To find out about all of the other screenings and events, go HERE. 

UNDERGROUND RETURNS WED. MARCH 8^TH

The second season of WGN’s UNDERGROUND will premiere on Wednesday, March 8^th.  This is a very involving and exciting series about The Underground Railroad, which was smuggling escaped slaves from Southern states to the safety and freedom of the North.  If you missed season one, keep an eye on the WGN schedule, as my guess is that the previous episodes will be replayed prior to the new shows.  I had the opportunity to talk about the design and look of the show with UNDERGROUND’s Production Designer and Costume Designer – keep an eye out for that soon in True West.  In the meantime, here’s a trailer:

THE SON – FIRST FULL TRAILER

THE SON will premiere on AMC on Saturday, April 8^th.  I’ve seen the first two episodes of THE SON, based on Philipp Meyer’s critically acclaimed bestselling novel, and I think it’s terrific, a worthy successor to the network’s HELL ON WHEELS.  The story of a Texas oil family, it’s told in two parallel storylines, both about Eli McCullough.  In 1849, as a teenager abducted by Comanche, he is played by Jacob Lofland.  As a turn-of-the-century oil magnate, he’s played by Pierce Brosnan.  Both story-lines are fascinating, and shockingly true to history.  I was able to speak not only to Meyer, but to producers and several members of the cast – again, coming soon to True West.  And here’s the first trailer --  

SAM ELLIOT IN ‘THE HERO’ PICKED  BY THE ORCHARD AT SUNDANCE

Sam Elliot stars as an aging Western actor coming to terms with his life in THE HERO, which The Orchard has picked up for theatrical release this fall.  His co-stars include his beautiful bride Katherine Ross, Laura Prepon, Krysten Ritter, and Nick Offerman.  Director Brett Haley and writer Marc Basch had previously collaborated with Elliot, when he starred opposite Blythe Danner in I’LL SEE YOU IN MY DREAMS (2015). 

While there’s not a trailer yet, here’s an interesting clip.

And here’s a clip from a TMZ show, where an unprepared reporter tries to interview Sam Elliot.

TRAVIS FIMMEL TO PLAY WYATT EARP ON HISTORY CHANNEL

Travis Fimmel, who has a huge following from THE VIKINGS series and the WARCRAFT feature, is finally getting to do a Western.  A few years ago, when there was going to be a feature based on THE BIG VALLEY, he was cast as Heath – and Lee Majors was going to play his dad, the never-before seen Tom Barkley. Sadly, that project shut down when the director went to jail for scamming Massachusetts out of money on another film. But now Travis will be playing Wyatt Earp on a new anthology series for History Channel.  He also wrote the episode, and is producing the series.

 ‘GUNSMOKE’ WRITER-PRODUCER RON HONTHANER DIES

One of the series’ fine behind-the-camera talents, Ron Honthaner, who worked for seven seasons on more than 150 episodes of GUNSMOKE, died on January 10, 2017, after a five-month battle with lung cancer.  After serving four years in the Navy, Ron studied film at U.S.C., and worked on independent features, including the drama THE EXILES (1961), famous for its look at the lives of American Indians in Los Angeles.  A man of many skills, his first job on a Western was on the animated feature THE MAN FROM BUTTON WILLOW (’65). Landing a position in post-production at Columbia—Screen Gems TV, he worked on THE ADDAMS FAMILY and THE WACKIEST SHIP IN THE ARMY until, in 1967, he sold a script to GUNSMOKE.  He would eventually sell the series another script – his two episodes are NOWHERE TO RUN (’68) and BLIND MAN’S BUFF (’72) – and he became Post-production Supervisor and, later Associate Producer on the series.  

He also worked on the GUNSMOKE spin-off series DIRTY SALLY (1974).

He worked as an editor on several series, and directed the feature THE HOUSE ON SKULL MOUNTAIN in 1974.  When James Arness returned to the west in the HOW THE WEST WAS WON series in 1976, Ron was Post-production Coordinator, as well as being one of the editors on ACROSS THE GREAT DIVIDE (1976).  He even did a little acting in the Western comedy HOT LEAD AND COLD FEET (1978). 

Lately Ron had turned to prose and written the excellent Western novel THE SHADOW OF THE HAWK (you can read my review HERE ), and you can order it from Amazon HERE .

Ron is survived by his wife Eve, son Jed, daughter-in-law Jackie, sister Joan Campbell, and many nieces and nephews.  Donations in his memory can be made to the Motion Picture & Television Fund (www.mptf.com/old/tributegift) or to Hospice Charities of America, c/o Sanctuary Hospice – 150 Paularino Ave., Suite C-125 – Costa Mesa, CA 92626.

AND THAT’S A WRAP!

Please check out my article in the February True West Magazine, featuring actress Constance Towers’ memories of working for John Ford on THE HORSE SOLDIERS, with John Wayne and William Holden.  In the next Round-up, I’ll talk about the red carpet at the RUNNING WILD premiere, review the largely over-looked Civil War picture from last year, FREE STATE OF JONES, talk to stunt ace Walter Scott about his work on THE OUTLAW JOSEY WALES and THE COWBOYS, and look in on this weekend’s Civil War Days at Strathearn Park in Simi.  Have a great week!

Happy trails,

Henry

All Original Contents Copyright February 2017 by Henry C. Parke - All Rights Reserved

VILLAINS AT THE AUTRY TUESDAY! PLUS ‘MERCY STREET’ RETURNS, OLD WEST AUCTION, ‘BOONVILLE REDEMPTION’ AND ‘HIS FIRST COMMAND’ STARRING HOPPY REVIEWED!

MORGAN WOODWARD TO STARE DOWN ‘WORD ON WESTERNS’!

Tuesday, January 17^th, at eleven a.m. sharp – don’t make him wait! – the man who faced down Matt Dillon nineteen times, and was killed my Matt in nearly all of them, will be joining Rob Word in the Wells Fargo Theatre of The Autry Museum for a look at WESTERN BAD GUYS in the newest edition of ‘A Word on Westerns.’  Other sinister visitors will include Jerry Potter from GUNSMOKE, THE WILD WILD WEST MOVIE, and THE ALAMO: THIRTEEN DAYS OF GLORY.  Also Patrick Kilpatrick from THE QUICK AND THE DEAD, LAST STAND AT SABRE RIVER and LAZARUS MAN, and Tara Gordon, daughter of Leo Gordon, of MCCLINTOCK!, MAVERICK and GUNSMOKE fame!  It’s a free event, always entertaining and informative. Don’t miss it!   

ALSO AT THE AUTRY – ‘THE BALLAD OF CABLE HOGUE’ ON SATURDAY

As part of the Autry’s long-running ‘What is a Western?’ film series, on Saturday, January 21^st, at 1:30 pm in the Wells Fargo Theatre, see Sam Peckinpah’s charming and surprisingly gentle THE BALLAD OF CABLE HOGUE (1970), starring Jason Robards Jr. and the dazzling Stella Stevens, and screened in glorious 35MM! 

BRIAN LEBEL’S OLD WEST AUCTION SATURDAY – JAN. 21^ST!

This year’s annual Old West Auction in Mesa, Arizona will feature a compendium of beautiful and fascinating art and artifacts from American history.  They always have wonderful posters, paintings, Cowboy art, American Indian Art, guns, saddles, Edward Bohlin silver. Among the most fascinating items, seen on the catalog cover above, is a Sharps rifle scientifically proven to have been used by an Indian at The Little Bighorn – it’s expected to fetch from $300,000 to half a million.  And there are costume items from John Wayne, Buck Jones, and Gene Autry, Roy Rogers’ watch, Tom Mix’s chaps, letters written by Buffalo Bill Cody, a gold watch given by Will Rogers to Charlie Russell, and much more.  The link to learn more is HERE.

‘MERCY STREET’ RETURNS!  SEASON 2 STARTS SUNDAY, JAN.22^ND!

The story of two volunteer nurses on opposing sides of the Civil War, working together at a military hospital, PBS’s MERCY STREET is back for another season starting this Sunday.  As schedules for PBS vary from station to station, check for times, and also check to see if they’re doing any kind of recap from season one.  The one criticism I heard last year was that the show was a little claustrophobic, but the producers have promised to open it up more for season two, as the trailer indicates.

BOONEVILLE REDEMPTION – A Film Review

Feeling a need to get out of town, film executive, casting agent and author Judy Belshe-Toernblom visited the town of Boonville, in Northern California, learned about the locals’ unique dialect, ‘boontling,’ and the seed of a story took root in her imagination. In time it grew into a screenplay, and now a movie, BOONVILLE REDEMPTION (to read about my visit to the set, go HERE and HERE), and a prequel novel, BOONVILLE REDEMPTION: THE END OF THE BEGINNING. 

Directed by Don Schroeder, the faith-based film set in 1906 boasts an impressive supporting cast, including Pat Boone as the town doctor and story narrator, Diane Ladd as the grandmother, Robert Hays as a pastor, and Ed Anser as the judge. 

Pat Boone and Emily Hoffman between scenes

But the film truly rises and falls on the shoulders of the very young and very talented Emily Hoffman at the story’s center.  She plays Melinda, a child who has always known she was looked down upon, but only recently learned the reason; that she was born out of wedlock.  She lives with her mother Alice (Shari Rigby), half-brother (Callder Griffith), and stepfather, a man named Maddox (Richard Tyson), who is the most wealthy, and feared, man in town.  He considers himself to have ‘saved’ her mother by marrying her, and he hates Melinda as a living reminder of his wife’s history, and shame.

When Alice’s mother (Diane Ladd) is ailing physically and mentally, Maddox seizes the opportunity, and sends Melinda away to care for the old lady.  Through the old lady, who drifts in and out of rationality and the boontling language, Melinda starts to uncover the truth about her true father, his disappearance, and crimes that include murder.  She’s helped in her efforts by an eccentric young boy nicknamed Shakespeare (Nicholas Neve). 

I’m not going to say ‘spoiler alert’, but it is 1906 in Northern California, and true history does intrude in this fictional tale.  A Western only in terms of its setting, it is in many ways a mystery, though without the urgent pacing we identify with that genre.  But whether in several genres or none exactly, it’s a well-acted, attractively filmed story of an endearing girl’s search for the truth about her own existence, and how her revelations turn a seemingly sleepy and highly secretive community on its head. 

BOONVILLE REDEMPTION is available on Amazon.com, and in stores on DVD.

HIS FIRST COMMAND – A Video Review

Early in the story, spoiled playboy Cary Culver (William Boyd) is asked by a society lady if he is ‘that’ Culver, whose scandals are always in the paper.  He laughs it off – that’s his cousin, he fabricates, who makes it hard for folks who share his name.  Ironically, less than two years later Boyd would be in precisely the same position, with no fabricating.  In 1931 another actor named William Boyd would be arrested in a brothel, and when newspapers ran a picture of the wrong man, the white haired DeMille star would be ruined for years, until he was hired to play the role that would change his life and make his career, Hopalong Cassidy.

In the 1929 service comedy HIS FIRST COMMAND (Pathe), Boyd’s character is so determined to prove to Col. Gaylord’s smug but lovely daughter Judy (Dorothy Sebastian) that he can be more than a dilettante, that he enlists in the cavalry, and unexpectedly (okay, very expectedly) has a chance to prove himself a hero.  

Originally promoted as “All Music, Color and Dialogue” (the color sequences presumably no longer exist), this early talkie shares many of the traits common to films in the transition from the silents – pacing problems, some stilted performances, with most scenes done in one shot, because it was so difficult to edit.  But it’s amusing, and novel to see Boyd playing a character so different from his trademark role.  And Boyd’s naturalness and ease with sound is years ahead of its time.  The film was important in Boyd’s life as well as career, since he subsequently divorced his second wife, Elinor Fair, and married leading lady Dorothy Sebastian.  She was well-known for starring opposite Buster Keaton in SPITE MARRIAGE (1929) and other films, and they were said to have been lovers at one time.   

It’s directed by Gregory LaCava, whose 1936 comedy hit MY MAN GODFREY would find William Powell and Carole Lombard examining many of the issues raised by COMMAND. LaCava co-wrote COMMAND with actor/writer James Gleason and Jack Jungmeyer.  The audio quality is good, and the grey scale and condition of the print is good, although the focus is fuzzy throughout.  But odds are it’s the best, quite possibly the only, copy available of this entertaining little film.  It’s available from Alpha Video HERE. 

ONE MORE THING…

It’s a pity that after 146 years, Ringling Brothers Barnum and Bailey Circus is, or soon will be no more.  I loved it as a kid, and I loved it as an adult who likes to feel like a kid once in a while. While I was often dubious about the treatment animals received at the tiny fleabag circuses, most of the complaints about abuse at Ringling Brothers didn’t ring true.  Sorry, kids of coming generations. You’ll never experience the Greatest Show on Earth!

AND THAT’S A WRAP!

Happy Trails,

Henry

All Original Contents Copyright January 2017 by Henry C. Parke – All Rights Reserved