‘LONGMIRE’ TO RETURN ON NETFLIX, PLUS ‘APACHE’, ‘HILLS RUN RED’ DOUBLE-BILL REVIEWED!

‘LONGMIRE’ TO RETURN ON NETFLIX

Craig Johnson’s lawman LONGMIRE has received a reprieve of his A&E death sentence not from the Governor, but from Netflix.  Three months ago, fans of LONGMIRE, the modern-day Western that has attracted A&E’s best drama ratings for three years running were stunned to hear that it was being cancelled in spite of its popularity, because its audience was ‘too old’, and its fans’ money has pictures of dead presidents, instead of that dopey symbol on bitcoins. 

No date is set yet on when Longmire will make its appearance on Netflix, but it will be sometime in 2015, and it will be a ten episode season.  The story will continue moments after the cliffhanger ending of season three.  Leads Robert Taylor and Katee Sackhoff are back, but being a cliffhanger, they’re playin’ it cagey about whether everyone will be back.  More info as I get it. 

‘THE HILLS RUN RED’ AND ‘APACHE’ – a DVD Review

While they’re an arbitrary pairing – one an American-made Western biography from 1954, the other a Spaghetti Western from 1966 – APACHE and THE HILLS RUN RED are an eminently enjoyable Western Double Feature from the MGM library, released by the Timeless Media Group.  

  

Every Russian I’ve ever discussed Western movies with invariably tells me that his favorite growing up was APACHE, starring Burt Lancaster.  While the film doesn’t have that big a reputation stateside, having now seen it, I concur with the comrades: it’s very good.  I can also understand why the Soviet government allowed their citizens to watch it: it wouldn’t make you want to defect to the U.S.  APACHE is the substantially true story of Massai, the last Apache warrior to be captured following the surrender of Geronimo.  After escaping from the train transporting him to a reservation in Florida, Massai goes stealthily back, carrying on a one-man guerilla war against the Army and its associates.  He also goes back to seek revenge against his one-time woman whom, he believes, betrayed him.  Instead, they go off together, complicating his one-man war even further. 

The film is produced by Hecht-Lancaster, the partnership of Burt Lancaster and dancer-turned- choreographer-turned-producer Harold Hecht, and their collaboration would produce some of the finest films of their time in many genres.  They’d already made THE CRIMSON PIRATE, and they followed APACHE with the spectacular VERA CRUZ, and then the four-Oscar-winner MARTY.  Later triumphs, many starring Lancaster, would include THE UNFORGIVEN (1960), BIRDMAN OF ALCATRAZ (1962) and ULZANA’S RAID (1972).  Based on the novel BRONCHO APACHE by Paul Wellman, the screenplay was by James R. Webb, who started out scripting Roy Rogers pictures at Republic, and would win an Oscar for his screenplay of HOW THE WEST WAS WON. 

Burt Lancaster

APACHE was the first important feature from a talented young TV director named Robert Aldrich, who would of course go on to make his mark on hyper-masculine films like VERA CRUZ, THE DIRTY DOZEN, THE LONGEST YARD and, tough in a different way, WHATEVER HAPPENED TO BABY JANE?  This was no minor production.  In addition to familiar California shooting locations like Vasquez Rocks, where the film opens, and Corriganville, for the fort sequence, the crew travelled as far as Arizona and New Mexico.  Cinematographers Ernest Laszlo (Oscar for SHIP OF FOOLS, and seven other nominations) and uncredited Stanley Cortez (FLESH AND FANTASY, NIGHT OF THE HUNTER) made full use of the beauty, and occasional desolation, which surrounded them.

The sequences of Massai’s single-handed guerilla war are original and energetic as only an acrobat like Lancaster could make them.  And there are a number of sequences and plot elements that I’ve never seen before.  Massai’s meeting with a westernized Cherokee is a standout, as is the scene where Massai, having escaped the train, finds himself, for the first time, in a town full of white people, and where virtually every object is unfamiliar and menacing. 

Jean Peters

True to the time of production, there are no actual Indians playing major Indian roles, although all of the performances are strong, and in no way demeaning.  In addition to Lancaster, his woman is Jean Peters, Geronimo is Monte Blue, and Hondo, a despised Indian scout and traitor to the Apache is Charles Buchinsky, later Charles Bronson.  The motley crew of white people, officers and accomplices, include John Mcintyre and radio’s Paladin, John Dehner.  Lt. Col. Beck, the only soldier with a noticeable sense of humanity, is Walter Sande.  The ending could not be further from what you would have predicted from the beginning, but make perfect sense. 

In THE HILLS RUN RED, the Civil War has just ended, and pair of Confederate soldiers has fled in a wagon with a Union payroll.  Their elation is momentary – the theft has been discovered and a detachment of bluecoats are gaining on them.  Reasoning that there might be a chance for one of them to escape, they draw cards: high card to jump off the wagon with the saddlebag of money and hide, and low card to keep driving the wagon, and hope for the best. 

Low Card, Jerry Brewster (Thomas Hunter), is caught by the soldiers, savagely beaten, and serves five years at hard labor for the robbery.  When he gets out, he returns to find his homestead in ruins, his wife and son gone – and evidence that his ‘friend’ High Card – Ken Seagull (Nando Gazzolo), rather than telling the family that he’s in prison, has told them he’s dead!  He also learns that his wife has died.  (Niagara Falls!  Slowly I turn!)

Jerry sets out to track down and punish Ken.  Meanwhile, Ken has invested the stolen money and built a beautiful and prosperous ranch.  His sister Mary Ann (the exquisite Nicoletta Machiavelli) lives with him, and has no idea her brother built his wealth by theft, and by letting a friend rot in prison.  Ken knows when Jerry is getting out of jail, and sends his top gunman, Mendez, to find and kill Jerry.   

Nicoletta Machiavelli & Henry Silva

Already a solidly plotted story – sounds a bit like a Budd Boetticher/Randolph Scott movie – but it really takes off when Mendez appears, in the person of Henry Silva, in a wonderfully over-the-top performance, strutting around in black leather and cackling maniacally – and coveting his boss’s sister.  Lucky for Jerry, Mendez underestimates him, sending a pair of flunkies to do a man’s work.  They end up dead, Mendez determines to take care of the job personally, but Jerry has gotten himself an unexpected ally – a drifting cowpoke named Winny Getz, played Dan Duryea. 

Duryea is one of several Hollywood stars, like James Stewart and Robert Taylor, who got better at tough-guy roles, especially in Westerns, as their faces took on some deep lines and signs of wear.  Duryea, always a likable performer, had already teamed thrice with Audie Murphy in Westerns, most memorably in SIX BACK HORSES, and his lazy confidence with a deadly edge is a welcome addition. 

Jerry makes plans, with Winny’s help, to infiltrate his old partner’s operation, and in a nod to history that’s unusual for films of its time, there are no photographs of Jerry, so Mendez and company only have Ken’s description to work with.  There are a few moments that strain credulity, but plenty of action, and a satisfying conclusion.  It’s a solid entertainment, straddling the American Western tradition, which was winding down, and the European model, which was in its heyday, coming the same year as THE GOOD, THE BAD, AND THE UGLY and DJANGO. 

Dan Duryea

Top-billed, Savannah-born Thomas Hunter had only previously appeared in WHAT DID YOU DO IN THE WAR, DADDY? as ‘American G.I. #3’, but producer Dino de Laurentiis, who loved to pair big stars with new talent – witness FLASH GORDON, starring Max Von Sydow and Sam J. Jones – saw something special in Hunter, and would use him in several more films, including ANZIO.  

Hunter is perfectly adequate in THE HILLS RUN RED, but did not become the star Dino had hoped for.  Returning to the U.S. in 1969 for an episode of GUNSMOKE, he continued to act mostly in Europe, and later became a screenwriter, he and Peter Powell co-writing THE HUMAN FACTOR and THE FINAL COUNTDOWN.  His last screen credit was acting in 1984’s THE ACT.

Nando Gazzolo, the villain of the piece, is fine in his role, but is hard for English-speakers like myself to fully appreciate because he distinguished himself starting in the 1960s as a voice-actor, for cartoon characters, narration, and looping actors who needed a better sound.  Busy on TV and in features from 1958 until 2002, he was active in Westerns, sword and sandal films, comedies, and in 1968 starred in a miniseries as Sherlock Holmes.  He turned 86 in October. 

Director Carlo Lizzani, working under the awful American pseudonym of Lee W. Beaver, had been nominated for a Best Screenplay Oscar for RISO AMRO (BITTER RICE) in 1949.  He would go on to direct seventy features, documentaries and TV shows, mostly in Italy, but came to the U.S. in 1974 to direct CRAZY JOE, starring Peter Boyle as mobster Crazy Joe Gallo.

Thomas Hunter

Screenwriter Piero Regnoli penned possibly the first Italian horror film – thus helping create an industry – LUST FOR A VAMPIRE in 1957, and after HILLS would help write the entertaining  Sergio Corbucci directed, Burt Reynolds starrer, NAVAJO JOE.  When he retired in 1994, he had 112 writing credits, in every genre of film Italy produced, among them a pair of Jack London-based WHITE FANG films, starring Franco Nero and Robert Woods. 

The terrific score is by Leo Nichols – pseudonym for Ennio Morricone: need I say more?

This Western Double-Feature is available for $9.99 from Shout Factory HERE.   

HAPPY BIRTHDAY FRANCO NERO!

As the unforgettable original Django turns 73 today, he is busily filming DJANGO LIVES!, playing his legendary character as a retired gunman, now livening in 1020s Los Angeles, working as a technical advisor on Western movies.

HAPPY BIRTHDAY JOHN DEHNER!

The Disney animator-turned-DJ-turned-actor who died in 1992 is best remembered by radio fans as PALADIN on the radio version of HAVE GUN WILL TRAVEL.  He also starred as the London Times reporter visiting the American West on FRONTIER GENTLEMAN; his distinctively rich baritone voice never tried to adopt an English accent, and no one ever asked why. On TV he appeared frequently on GUNSMOKE, RAWHIDE and THE VIRGINIAN, and turned up on just about every other Western series, as well as detective series and comedies – he was a regular on THE DORIS DAY SHOW, and appeared in many movies where a suave, mustachioed villain or good-guy was needed.       

THAT’S A WRAP!

So, HELL ON WHEELS is done for the season, but we have one more season, with fourteen episodes, to look forward to on AMC.  LONGMIRE will be back, on Netflix, and JUSTIFIED returns to FX , for its final season on January 20^th!  Next week I’ll be reviewing a book about a really long-running series, BONANZA – A VIEWER’S GUIDE TO THE TV LEGEND, by David K. Greenland. 

Have you seen THE HOMESMAN yet?  You should!  Funny thing, I’ve had a few messages since my review, saying they’re sorry they missed it, or asking me if it will play again.  I must repeat: it is a real big-screen, movie-theatre-type movie! 

Happy Trails,

Henry

All Original Contents Copyright November 2014 by Henry C. Parke – All Rights Resereved

WEST OF THE PODCAST

(Updated Thursday 12/2/2010 see SCREENINGS - LITTLE BIG MAN)
About a year ago at this time, I had just finished reading THE GIFT OF THE MAGI to a 4th grade class, and I told them that its author, O. Henry, was also the creator of The Cisco Kid. It’s the sort of dumb thing I often say to kids – it means as much as telling them, “Aristophanes also wrote ‘The Clouds.’” But to my surprise and delight, a girl said, “Really? I love the Cisco Kid!”
“Where have you seen the Cisco Kid?” I asked.
To my yet greater astonishment, she replied, “I haven’t seen him. I love the radio show. My dad has a collection of them, and when we go on driving trips, he brings them along and plays them.” If you’ve never heard radio drama, or if you have kids who haven’t been exposed to it yet, it’s time.

I’m a big fan of old time radio, or OTR, as the aficionados call it. I mostly listen in transit – on tape or CD, depending on what the car in question plays – and the biggest problem I have with it is the cost. Good collections, which I’ve reviewed in the past and no doubt will again, generally cost $29 and up – a considerable investment for shows I’ll only listen to once – at least only once every few years.

But the good news is that a tremendous amount of great OTR programming – including great Western programming – is available absolutely free online. If you have an iPod, iPhone, or any other gadget that can play mp3 files, you’re good to go – I’ll tell in a moment how to hook yourself up. The reason that these shows are available for free is that most radio shows were never copyrighted: they’re in the public domain. In fact, many radio shows were performed and broadcast live, and never professionally recorded at radio stations; they’d be lost if they hadn’t been copied by fans with amateur equipment.

One of the great podcast-sharing benefactors is known as ‘Botar’ – if you search that name on-line or in the iTunes Store podcast directory, you’ll find a ton of shows, including some of the best Westerns. He told me, “My grandfather used to read through Louis L’amour novels like they were candy. I grew up in Denver, Colorado, and all my kin live in Nebraska, so I do have a little western blood in me. Tales of the Texas Rangers was one of the first OTR series that I fell in love with. Then I started listening to Fort Laramie, and thought that it was the greatest.” It didn’t hurt that, as a child, he’d spent time in both Laramie and Cheyenne, Wyoming. Each series he found he liked better than the one before. “Then I found Six Shooter, started listening to Frontier Gentleman, then Have Gun Will Travel. And now I’m sixty shows deep into the 480 episodes of Gunsmoke, and I think it was the best OTR series ever.”

(pictures, top to bottom: Gunsmoke cast, William Conrad, Geirgia Ellis, Howard McNear, Parley Baer - as they looked doing the show; as we imagined them; Raymond Burr in his Fort Laramie days; John Dehner in his radio guise; John Dehner onscreen; James Stewart doing a radio show with Roy and Dale; James Stwart in Winchester 73; Young Buffalo Bill poster; two more Chiefs from the series)

Why did he get involved with podcasting? “My website evolved out of frustration at the amount of money ‘they’ charged for OTR CDs, and the free but incomplete and low quality OTR shows available in the early days of ‘peer 2 peer’ (i.e. napster, etc.) sharing. So I keep my site free of charge, and use podcasting to keep OTR listening and collecting as painless as possible.”

For those not familiar with those series mentioned – all of which are available as free podcasts, Tales of the Texas Rangers is a western crime series, based on Texas Rangers files, and starring Joel McCrea as Ranger Jayce Pearson. Six Shooter, starring James Stewart as Britt Ponsett, is a sometimes serious, sometimes light-hearted series about a man famous for his speed with a gun, but who tries not to use it. It later moved to television as The Restless Gun, starring John Payne. Have Gun Will Travel went the opposite direction: already a popular TV series starring Richard Boone, a radio version was created, starring John Dehner in the role of Palladin. Frontier Gentleman had the unusual premise of following a reporter for the London Times as he travelled across the American west, writing his column. This series also starred John Dehner, who rarely tried to sound British, but settled for ‘classy,’ which is how he always sounded. Fort Laramie starred pre-Perry Mason Raymond Burr as Lee Quince, Captain of Cavalry at the Fort, and was pretty dark, adult western stuff.

How do you get the shows? Go to the iTune store and click ‘podcasts.’ In the search window on the upper right, type the title of the show of your choice, followed by the word ‘botar,’ and you’ll be directed to a page where you can choose from at least forty shows from each series, whether you wish to get single episodes, several, or to subscribe and get them weekly – if they’re currently being posted weekly. If you have an iPhone, you need to purchase an ap that’ll cost you two bucks, but that’s it. Otherwise, just like all podcasts, they’re free.

If you’re looking for a wider mix of shows, shows for the whole family, or the classic Gunsmoke, you’ll need to search for programs provided by a company known variously as Radio Nostalgia Network and HD Productions. They offer a regular podcast of Cisco Kid, and one of The Lone Ranger. And of course, they offer the finest of all Western radio series, Gunsmoke, with Matt Dillon portrayed by William Conrad, considered by many (like me for instance) to be the best radio actor of all time. Under the title Western Wednesdays is a wide variety of shows, from Roy Rogers to Tom Mix to Gene Autry, and a host of others. Often you can’t tell what you’re getting until you’ve downloaded it, but that’s part of the fun. They’ve also recently added a few TV episodes, from Wagon Train and Stories of the Century, an early Republic series. Under the titles Wagons West and Cowboy Theatre you’ll find other varied western selections.

I’ve focused on the two outfits who put out the most western shows, and whose material I’ve listened to for a few years. But there are others, and it’s worth searching around, especially if you have a specific want that’s hard to find. For instance, if you want to listen to William Boyd as Hopalong Cassidy, the bad news is that no one is doing a regular podcast. But the good news is, if you search under ‘Hopalong Cassidy podcast’ you’ll find 35 individual episodes posted by different outfits.

So happy listening, and if you give OTR podcasts a try, let me know how your experience was.

RFD-TV CONTINUES ROY ROGERS FLICKS WITH ‘YOUNG BUFFALO BILL’

This Saturday, December 4th it’s Young Buffalo Bill (1940), again directed by the great Joe Kane, and featuring Gabby Hayes, and a tale of dubious Spanish land grants. And there’s still another airing or two of this week’s West of the Badlands (aka Border Legion). Dusty and Dustin continue their hosting duties from Mickey Gilley’s Theatre in Branson, and the program wraps up with musical clips of Roy and Dale, and Dusty and the High Riders performing.

And because it’s not too late to correct problems in future episodes, I’m going to make a couple of suggestions. First, giving the cast and crew at the beginning helps get you in the mood, but they’re giving so much of the plot away that, unless you plug your ears and yell (like I do), you’ll know so much going in that there’s no sense in watching it. Second, considering that almost all the commercials are selling Bullet and Trigger gear and subscriptions to the RFD-TV magazine, is it also necessary to have additional ads for those subscriptions running, during the movie, on the bottom of the screen, for minutes at a time?

Also on RFD-TV Wednesday Dec. 1st at 12:30 pm on Equestrian Nation, you can see Roy Rogers in one of his last interviews.


INDIAN CHIEF CIGARETTE INSERT CARDS

Here are the next two cigarette insert cards in the set I started running last week. The actual cards measure 1 ½” by 2 ¾ ”, and are the ‘Celebrated American Indian Chiefs’ collection, from Allen & Ginter of Richmond, Virginia, and date from 1888. The cards are so beautiful that I’ve decided to share the fifty-card set with the Round-up readers, two at a time. I hope you enjoy them.

D. W. GRIFFITH SCREENING

Monday, November 29th, the Academy will present GRIFFITH IN CALIFORNIA – HOLLYWOOD’S EARLIEST FILMS FROM A CENTURY AGO at the Linwood Dunn Theatre. The bad news is that the show is sold out, but the good news is that there are always some no-shows, and people who show up early usually get in. For more details, CLICK HERE.

SCREENING - 'LITTLE BIG MAN' AT THE NEW BEVERLY THURSDAY

In tribute to the late Arthur Penn and the late Dede Allen, the New Beverly Cinema will screen a double bill of BONNIE AND CLYDE and LITTLE BIG MAN. They play at 7:30 and 9:45 respectively. I have great respect for both filmmakers, loved Bonnie and Clyde, but much as I enjoyed Chief Dan George, I absolutely despised Little Big Man. But hey, it's all subjective.

THE AUTRY NATIONAL CENTER

Built by cowboy actor, singer, baseball and TV entrepeneur Gene Autry, and designed by the Disney Imagineering team, the Autry is a world-class museum housing a fascinating collection of items related to the fact, fiction, film, history and art of the American West. In addition to their permenant galleries (to which new items are frequently added), they have temporary shows. The Autry has many special programs every week -- sometimes several in a day. To check their daily calendar, CLICK HERE. And they always have gold panning for kids every weekend. For directions, hours, admission prices, and all other information, CLICK HERE.

HOLLYWOOD HERITAGE MUSEUM

Across the street from the Hollywood Bowl, this building, once the headquarters of Lasky-Famous Players (later Paramount Pictures) was the original DeMille Barn, where Cecil B. DeMille made the first Hollywood western, The Squaw Man. They have a permanent display of movie props, documents and other items related to early, especially silent, film production. They also have occasional special programs. 2100 Highland Ave., L.A. CA 323-874-2276. Thursday – Sunday 12 p.m. to 4 p.m. $5 for adults, $3 for senior, $1 for children.

WELLS FARGO HISTORY MUSEUM

This small but entertaining museum gives a detailed history of Wells Fargo when the name suggested stage-coaches rather than ATMS. There’s a historically accurate reproduction of an agent’s office, an original Concord Coach, and other historical displays. Open Monday through Friday, from 9:00 a.m. to 5:00 a.m. Admission is free. 213-253-7166. 333 S. Grand Street, L.A. CA.


FREE WESTERNS ON YOUR COMPUTER AT HULU

A staggering number of western TV episodes and movies are available, entirely free, for viewing on your computer at HULU. You do have to sit through the commercials, but that seems like a small price to pay. The series available -- often several entire seasons to choose from -- include THE RIFLEMAN, THE CISCO KID, THE LONE RANGER, BAT MASTERSON, THE BIG VALLEY, ALIAS SMITH AND JONES, and one I missed from 2003 called PEACEMAKERS starring Tom Berenger. Because they are linked up with the TV LAND website, you can also see BONANZA and GUNSMOKE episodes, but only the ones that are running on the network that week.

The features include a dozen Zane Grey adaptations, and many or most of the others are public domain features. To visit HULU on their western page, CLICK HERE.

TV LAND - BONANZA and GUNSMOKE

Every weekday, TV LAND airs a three-hour block of BONANZA episodes from 11:00 a.m. to 2:00 p.m. They run a GUNSMOKE Monday through Thursday at 10:00 a.m., and on Friday they show two, from 6:00 to 8:00 a.m.. They're not currently running either series on weekends, but that could change at any time.

NEED YOUR BLACK & WHITE TV FIX?

Check out your cable system for WHT, which stands for World Harvest Television. It's a religious network that runs a lot of good western programming. Your times may vary, depending on where you live, but weekdays in Los Angeles they run DANIEL BOONE at 1:00 p.m., and two episodes of THE RIFLEMAN from 2:00 to 3:00 p.m.. On Saturdays at 2:00 p.m. it's THE RIFLEMAN again, followed at 2:30 by BAT MASTERSON. And unlike many stations in the re-run business, they run the shows in the original airing order. There's an afternoon movie on weekdays at noon, often a western, and they show western films on the weekend, but the schedule is sporadic.

That's it for now, pards. I've got a few interesting things cooking for the next few report, but I'm not gonna jinx myself for talking about them before they're a done deal.

Henry

All Contents Copyright November 2010 by Henry C. Parke -- All Rights Reserved