TWO BIG WESTERNS FOR CHRISTMAS, PLUS BIG GENE AUTRY GIVEAWAY, NEW FONDA/SORBO OATER, GLENN FORD WEST FEST, WE LOSE CHRIS & PIERRE

2 BIG WESTERNS – THE REVENANT & HATEFUL 8 – TO OPEN CHRISTMAS DAY!

We’re getting a wonderful pair of gifts in our stocking this December 25th: two big Westerns opening on Christmas Day!  The last time this happened, Tom Mix was going up against William S. Hart (don’t do research – I’m making it up!)!  THE REVENANT, starring Leo DiCaprio and Thomas Hardy, is the true story of Hugh Glass, a mountain man who was mauled by a bear and left for dead.  It’s written and helmed by Mexican-born Alejandro Gonzalez Inarruti, who swept the Oscars this year, winning Best Picture, Director and Original Screenplay for BIRDMAN.  A previous version of the Hugh Glass story, MAN IN THE WILDERNESS (1971), starred Richard Harris and John Huston, directed by Richard Sarafian from Jack DeWitt’s script. 

While REVENANT had long been heralded as a Yuletide release, just this Friday the Weinstein Company announced that Quentin Tarantino’s THE HATEFUL 8, will also open on December 25^th.  Featuring a huge cast of Tarantino favorites – Kurt Russell, Samuel L. Jackson, Walter Goggins, Jennifer Jason Leigh, Bruce Dern, Tim Roth, Michael Madsen, et al – it’s an all-star ‘bunch-of-people-caught-in-a-snowstorm’ Western.  The writer/director cheerfully revealed that his inspiration was the sort of BONANZA/BIG VALLEY/HIGH CHAPARRAL episodes that would happen mid-season when budgets were tight, and plots would be crafted around a bunch of people caught in a small place.  In spite of those close quarters, the Christmas premiere will be exclusively in 70 mm – the largest 70 mm opening in at least two decades!  It’s been said that Tarantino’s determination to release the movie on actual film, in 70 mm, is what lead Kodak to reverse their decision to shut down their film-stock production entirely.  HATEFUL 8 will broaden its release to crummy new digital theatres on January 8^th. 

I’M IN THE NEW ‘TRUE WEST’ PANCHO VILLA ISSUE!

I’m very proud that my first article as TRUE WEST MAGAZINE’s new Film Editor is in the July ‘All Pancho Villa Issue’, which has just come out.  No surprise, my piece is about the best and worst of the movies about Villa.  Buy several copies today! 

GENE AUTRY FANS!  ENTER THIS GREAT FREE GIVEAWAY!

Gene Autry Entertainment wants to get a verification check-mark on its Youtube channel, and increase their Google + numbers, and they’re giving away THREE great collections of Gene Autry merchandise and collectibles to do it!  Each collection contains DVDs, CDs, books, scarves – each is worth well over a C-note – and to enter to win one, all you have to do is click HERE to subscribe to the Official Gene Autry Youtube Channel, then come back and click HERE to be a Google + follower!  Everyone who does so will be automatically entered to win !  Do it soon – the giveaway ends on June 19^th!

GLENN FORD WESTERNS AND CUSTER FLICKS AT THE NEW BEVERLY!

June is a great month for Westerns at Quentin Tarantino’s New Beverly Cinema!  Sunday and Monday, June 14^th & 15^th , a rarely seen pair of Westerns about Custer will screen, THEY DIED WITH THEIR BOOTS ON (1941), starring Errol Flynn as Custer, with Olivia DeHavilland, directed by Raoul Walsh; and CUSTER OF THE WEST (1967), starring Robert Shaw as Custer, with Mary Ure and Ty Hardin, and directed by Robert Siodmak. (That latter film was shot in Spain at the height of the spaghetti western Renaissance, and Ty Hardin told me some very interesting stuff about the making of the film – including what director was fired the first day.  Read that interview HERE )  

On Wednesday and Thursday, June 17^th & 18^th see Glenn Ford in Edna Ferber’s CIMARRON (1960), starring Glenn Ford, directed by Anthony Mann.  Then on Wednesday and Thursday, Jne 24^th & 25^th, catch the Glenn Ford double bill THE FASTEST GUN ALIVE (1956), and the original Elmore Leonard’s 3:10 TO YUMA (1957), directed by Delmer Daves, and co-starring Van Heflin.  Then Sunday, June 28^th through Saturday, July 4^th, you have a full week to catch Sergio Leone’s masterpiece ONCE UPON A TIME IN THE WEST.  Get all the details HERE.

JOIN ‘COPS & COWBOYS’ JULY 18^TH AT LEONIS ADOBE!

After the tremendous success of last year’s event, the annual ‘Cops & Cowboys’ fundraiser for The Mid-Valley Community Police Council will again be held at the historic Leonis Adobe Museum in Calabasas, CA.  Built in 1844 as the home to a Basque farmer and his bride, daughter of a Chumash Chief, the Adobe is one of the oldest existing buildings in Southern California, and the C&C is a wonderful time to visit it!  You can learn about ranch life, bid at the regular and silent auctions, play blackjack and poker, have a few drinks in the saloon, enjoy barbecue, country music, line dancing, and more!  Tickets are $150 each ($50 if you’re in the LAPD), and there are opportunities for sponsorship, buying tables, and buying space in the program.  To learn more, please call 818-994-4661, FAX 818-994-6181, email info@theproperimageevents.com or visit http://www.midvalleypolicecouncil.org/event/cops-cowboys-july-18th-2015/ .

SOLIMA’S ‘BIG GUNDOWN’ INTRO’D BY JOE DANTE JUNE 18 AT LINWOOD DUNN

As part of their THIS IS WIDESCREEN series, The Academy of Motion Picture Arts & Sciences will screen Sergio Solima’s THE BIG GUNDOWN, starring Lee Van Cleef, Thursday, June 18^th, at the Linwood Dunn Theatre in the Mary Pickford Center, 1313 Vine Street, Hollywood, CA 90028.  (Note, this is the Hollywood venue, not the Academy headquarters in Beverly Hills).  It’s a very unusual, well-told story, with lawman-turned-politician Van Cleef on the hunt for a degenerate criminal (Tomas Milian) who may be not as bad as the men who want him dead.  This is the new restoration from Grindhouse Releasing which Courtney Joyner and I got to see when we were doing audio commentary for their BluRay release, and it looks spectacular.  The ticket price range is from $3 to $5, and you can learn more about the film, and order tickets HERE  

If you’d like to buy the fabulous 4-disc set from Grindhouse, including a CD of the brilliant Ennio Morricone soundtrack, go HERE .

Also featured with THE BIG GUNDOWN at the Linwood Dunn is the martial arts film DRAGON INN (1967), written and directed by King Hu.

FONDA & SORBO STAR IN ‘JESSE JAMES: LAWMAN’

Based on history you may have missed, outlaw Jesse James pins on a badge, working for a lawman who figures you need the help of a bad man to catch a very bad man in JESSE JAMES: LAWMAN, coming soon from Barnholtz Entertainment (read my interview with producer Barry Barnholtz HERE ) .  Starring Andrew Galligan as Jesse, he’s joined by Peter Fonda as the mayor, and Kevin Sorbo as J. Frank Dalton.  Director Bret Kelly and screenwriter Janet Hetherington collaborated last year on another Western, THE LAST OUTLAW.     

FAREWELL PIERRE BRICE AND CHRISTOPHER LEE

One day apart, we lost two of the true icons of International film.   On June 6^th, Pierre Brice passed away at age 86.  Though French, he gained undying fame in German cinema playing a fictional American, Winnetou, the Apache Chief created by the father of the German Western, Karl May.  Starting in 1962 with THE TREASURE OF SILVER LAKE, Brice would play the role eleven times in the original series of films, often opposite American and British stars like Lex Barker, Herbert Lom, Stewart Granger, and Rod Cameron, and indelibly etched his persona as the heroic, dignified and stunningly handsome chief upon the consciousness of non-English-speaking cinema.  He played many other characters, including Zorro twice, but he will always be Winnetou to his loyal fans. 

On June 7^th, Christopher Lee passed away at the age of 93.  To a younger audience he was Count Dooku in the STAR WARS films, or Saruman in the LORD OF THE RINGS movies, but to us grown-ups he will always be Dracula, a role he first played in 1958’s HORROR OF DRACULA.  For Hammer and other studios he would play every conceivable horror-related character; Fu Manchu five times, and he had the unique distinction of playing Sherlock Holmes twice, as well as his brother Mycroft, and Henry Baskerville.  His imposing form, chiseled features, and deadly stare, combined with his inherent dignity and sense of humor, made all of his screen work a delight, sometimes the only thing worth watching in his films.  For those of you with an interest in astrology, someone on Facebook noted that he and Vincent Price shared the same birthday, May 27^th, and Peter Cushing’s birthday was May 26^th.  Not known for a lot of Western roles, he was very effective as the gunsmith in HANNIE CAULDER (1971), and played a Grand Duke opposite James Arness in the HOW THE WEST WAS WON TV series.  On Monday, June 22^nd, TCM will air eight of Lee’s finest films.  Both men shall be sorely missed around the world. 

THAT’S A WRAP!

TEXAS RISING ends today (or next week if you, like me, DVR almost everything you watch).  Let me know what you think of the conclusion (not that I’ll read it for a week), and tell me if you’re enjoying STRANGE EMPIRE so far.  And who’s been watching Hallmark’s WHEN CALLS THE HEART?  One of the downsides of having so many channels is that you lose track of stuff on channels you don’t regularly watch.  How far are we into season two?  Have a great week!

Happy Trails,

Henry

All Original Contents Copyright June 2015 by Henry C. Parke – All Rights Reserved

‘CIVIL WAR’ ERUPTS AT AUTRY, PLUS ‘CHARLIE’S TEXAS OUTFIT’ REVIEWED, SPAGHETTI ‘N’ DOMESTIC SCREENINGS!

‘CIVIL WAR AND THE WEST’ OPENS AT THE AUTRY

Yesterday, an elaborate new exhibit, Empire and Liberty: The Civil War and the West, opened at the Autry, and will be on display through January 3^rd of next year.   As the title suggests, the show examines the effect that the Civil War had on the American West, a region much of which was still being settled at the time of the War Between the States.  As is practically a trademark with them, the Autry has used a wide array of documents, uniforms and other objects from their own collections, and borrowed others, to give a living feel to a war which had its end 150^th Anniversary only last week (John Wilkes Booth died 150 years ago today!).

Frontier Fremont's flag

Of the greatest significance, the posted text that goes with the displays gives a historical context, a sense of the related sequence of events that is not obvious.  Of course the Louisiana Purchase led to the Lewis and Clark expedition; but not so obvious, the charting of that land, the making of states, led to the Missouri Compromise, forcing an equal number of free and slave states.  We know about the misery caused by the Indian Removal Act, but a side-effect of forcing the Indians from their land was to make it available for cotton plantations, which brought the ‘need’ of slaves.  

'American Progress' by John Gast -1872

Jefferson Davis’s double-barreled pistol from his service in the Mexican War reminds us that not only was that war a proving group for him, but for Grant and Lee, all of whom were West Point graduates.  Among the fascinating documents that illuminate the period are slave purchase receipts; an Andersonville Prison Survivor Certificate; a Union Army enlistment bounty – forty dollars to sign up; a receipt for Chinese coolie wages of $12 a month – once the $30 voyage cost is paid; a Buffalo Soldier payroll document, $13 a month.  Displays take you through the period looking at the various historic events, as well as particular groups – various Indian tribes, former slaves, women, displaced Mexicans – as well as the general population.

Grant's Smith & Wesson pistol

One strong bit of direction; when you enter the exhibit, the natural direction, which most folks were taking, was forward and to the left.  I did so, and first found the displays interesting, but arbitrary.   I went back, and entered on the right, and suddenly everything was in a generally chronological order, and all of the elements fell into place.  THEY NEED A BIG RIGHT ARROW AS YOU ENTER!        

Pico's War Drum

CHARLEY SUNDAY’S TEXAS OUTFIT by STEPHEN LODGE – A Book Review

Stephen Lodge at last week's Santa

Clarita Cowboy Festival

Silver-haired Charley Sunday is a retired Texas Ranger at the turn of the 20^th century, trying to hold his small ranch together.  He partners with old friend and woman of dubious virtue Flora Mae Huckabee, to purchase a now-rare three hundred head of longhorns, and bring ‘em cross-country to Texas.   Rounding up other former Rangers, a female journalist, an Indian law student, his young grandson Henry-Ellis, and various other misfits, going up against a dastardly Colorado meat-packer, Charlie Sunday is in for the adventure of his already long and adventurous life. 

The story is told by that grandson, Henry-Ellis, now an old man, and telling his own grandchildren the tale, sixty years later.  The funny thing, as I was enjoying this novel, is that it didn’t remind me of other Western novels so much as it did other Western movies – particularly the humorous ones directed by Andrew V. McLaglen and Burt Kennedy in the late sixties and seventies.  It’s written so visually that you ‘see’ the action, not just understand it, while you’re reading.  No surprise really, because it’s author, Stephen Lodge, has written or co-written a number of memorable movies, including THE HONKERS, starring James Coburn and Slim Pickens; KINGDOM OF THE SPIDERS, starring William Shatner and Woody Strode; and RIO DIABLO, starring Kenny Rogers and Travis Tritt.  ( If you’d like to read my review of Steve’s memoir of his life in the film industry, AND…ACTION!, and my interview with him, go HERE .)

At the Santa Clarita Cowboy Festival last Saturday, when I was moderating the panel Screenplay to Novel or Novel to Screenplay?, Steve confirmed that CHARLIE SUNDAY began life not as a novel, but as the screenplay MOVE ‘EM SUNDAY, which the great Buddy Ebsen tried unsuccessfully to have made. 

When you read CHARLIE SUNDAY, you can have the additional fun of seeing the movie in your head, and watching Buddy Ebsen deliver the lines (although in truth, I usually heard Richard Farnsworth doing it).  CHARLIE SUNDAY’S TEXAS OUTFIT is published by Pinnacle, a division of Kensington Books, and you can buy it from AMAZON, or from the other big guys, in trade paperback, mass-market paperback, Kindle, and audible.  And in just two days, on Tuesday, April 28^th, you can buy DEADFALL: CHARLIE SUNDAY’S TEXAS OUTFIT 2!  And Steve assures me that CHARLIE SUNDAY 3 is already in the works!

‘HIGH NOON’/’SHANE’ DOUBLE BILL WEDNESDAY AT THE AERO

As part of the continuing celebration of the Aero Theatre’s 75^th year, at 7:30 pm, two of the finest Westerns of the 1950s – nay, two of the finest Westerns of any time – HIGH NOON (1952) and SHANE (1953) will play, and if you’re reading this blog, I don’t need to tell you who is in them, or what they are about.  And if you haven’t seen them on the screen in a few years, you need to see them again – you’ll be astonished at what details you’ve never seen before.  For more information, go HERE .

WILD WEST DAY – ARCADIA, MAY 2^ND

Saturday, May 2^nd, from ten ‘til 4, enjoy panning for gold, a telegraph demonstration, roping, U.S. Marshall’s posse, crafts, stagecoach rides, Queen Anne’s Cottage tours, Depot open house, food, root beer, and a musical performances by Singing Cowboy Mike Tims, RT n’ the 44s, and  the lovely and talented Saguaro Sisters.  Learn more HERE.

GREGORY PECK IN ‘YELLOW SKY’ MAY 9^TH AT THE AUTRY

As part of their monthly ‘What is a Western?’ series, the Autry will screen YELLOW SKY, at 1:30 pm in the Wells Fargo Theatre.  Director William Wellman and screenwriter Lamar Trotti, who teamed in last month’s offering, THE OX BOW INCIDENT, this time tackled a W. R. Burnett (LITTLE CEASAR, HIGH SIERRA) story, about a pack of outlaws hiding out in a ghost town populated only by an old prospector and his daughter, Anne Baxter.  Also in this drama, suggested by Shakespeare’s THE TEMPEST, are Richard Widmark, John Russell and Harry Morgan.  The film will be introduced by Jeffrey Richardson, Gamble Curator of Western History, Popular Culture and Firearms.  Admission is included with museum admission, free to members.  Learn more HERE .

MEET TONY ANTHONY - ‘GET MEAN’ SCREENING JUNE 8 AT CINEFAMILY!

Spaghetti Western star and 3-D movie pioneer Tony Anthony will make a rare public appearance, with his co-star Lloyd Battista, on June 8^th, for a screening of the new restoration of his 4^th and final film in the ‘Stranger’ series, GET MEAN (1975).  West Virginia-born Tony started writing and acting in 1961 with FORCE OF IMPULSE and WITHOUT EACH OTHER; he went to Europe to act in the bullfight film WOUNDS OF HUNGER (1963), and stayed for years.  Tony Anthony is an unusual actor for his era, in that he wrote or co-wrote nearly all of his Westerns – notably BLINDMAN (1971), where he plays a blind bounty hunter, and his quarry is Ringo Starr. 

The Cinefamily, formerly the Silent Movie, is located at 611 N. Fairfax Avenue, L.A., 90036 HERE .

is the link to buy tickets.  I know it’s a month away, but I’m posting this now because Cinefamiy events are very popular, and often sell out. 

SOLIMA’S ‘BIG GUNDOWN’ INTRO’D BY JOE DANTE JUNE 18 AT LINWOOD DUNN

As part of their THIS IS WIDESCREEN series, The Academy of Motion Picture Arts & Sciences will screen Sergio Solima’s THE BIG GUNDOWN, starring Lee Van Cleef, Thursday, June 18^th, at the Linwood Dunn Theatre in the Mary Pickford Center, 1313 Vine Street, Hollywood, CA 90028.  (Note, this is the Hollywood venue, not the Academy headquarters in Beverly Hills).  It’s a very unusual, well-told story, with lawman-turned-politician Van Cleef on the hunt for a degenerate criminal (Tomas Milian) who may be not as bad as the men who want him dead.  This is the new restoration from Grindhouse Releasing which Courtney Joyner and I got to see when we were doing audio commentary for their BluRay release, and it looks spectacular.  The price range is from $3 to $5, and you can learn more about the film, and order tickets HERE  

If you’d like to buy the fabulous 4-disc set, including a CD of the brilliant Ennio Morricone soundtrack, go HERE .

THAT’S A WRAP!

One more thing before you go!  The screenings and events in this Round-up are all in Southern California, but this is not a strictly California blog.  It’s read in over ninety countries, and I want to serve the Western movie fan as well as I can, but I need your help.  If you know about any upcoming screenings or other western-related events anywhere in the world, please share them with me, and I’ll pass ‘em along!

Happy Trails,

Henry

All Original Contents Copyright April 2015 by Henry C. Parke – All Rights Reserved

     

GRINDHOUSE RELEASES ‘THE BIG GUNDOWN’ TUESDAY!

(Updated 12/12/2013 -- see SHANE story)

Grindhouse Releasing will release their new beautiful Blu-Ray edition of THE BIG GUNDOWN (1966), directed by Sergio Solima, and starring Lee Van Cleef and Tomas Milian, on Tuesday, December 10^th.  Lee is a lawman-for-hire who agrees to track down a child-killer, Tomas, but of course, things are not as ‘black & white’ as they are first presented. Scripted by Sergio Donati and Solima, GUNDOWN is considered a high point in the careers of all four men; it is one of the finest of Spaghetti Westerns, and will finally be shown in its complete length for the first time in the United States.  The 4-disc set consists of a Blu-Ray of the expanded 95 minute U.S. cut, featuring three new scenes; a DVD version of the U.S. 95 minutes cut; a DVD of the 110 minute director’s cut of LA RESA DEI CONTI, the original title, in Italian, with English subtitles; and a music CD featuring the marvelous score by Ennio Morricone!  There’s even a companion booklet with liner notes by Joyner, and by Euro-music expert Gergley Hubai. 

Court, Bob Murawski and me

There are other special features, including interviews with Sergio Solima, Tomas Milian, and Sergio Donati, and I had the pleasure of doing audio commentary on GUNDOWN with fellow Western writer and film historian C. Courtney Joyner (keep an eye out for his new Western novel, SHOTGUN), under the direction of Oscar-winning editor Bob Murawski (you can read about that adventure HERE  ), and I’m as eager to see the finished product as anyone else.

GET A GREAT TAX DEDUCTION, AND ‘TREASURES 5 – THE WEST’

As 2013 comes to a close, many of us are looking for a way to do good, and to save on our income taxes.  If you liked the sound of ‘TREASURES 5 – THE WEST’, which I reviewed in last week’s Round-up (if you missed it, HERE is the link ) from the National Film Preservation Foundation, you can contribute to the important mission  of film preservation, and get yourself this wonderful video set, or a different set.  The NFPF is a non-profit public charity, affiliated with the Library of Congress, and for a contribution of $200 or more, you can have your well-deserved tax deduction, and the set of discs of your choice.  For details, visit this site: https://donatenow.networkforgood.org/1397805

ROUND-UP’ ON THE AIR AND ‘AROUND THE BARN’ ON SAT. DEC 14TH!

Bobbi Jean with her commendation from the L.A. County

Board of Supervisors

On Saturday, December 14th, I will be a guest of Nancy Pitchford-Zhe and Bobbi Jean Bell on their Saturday morning show on  KHTS AM 1220, ‘Around The Barn.’  Heard every Saturday from 9 to 10 a.m., they discuss western culture, music and lifestyle.  Nancy is the founder and director of Heads Up Therapy on Horseback, and Bobbi Jean is the lady behind the Outwest Western Boutique and Cultural Center in Santa Clarita:http://www.outwestmktg.com/ 

The topic for Saturday will be ‘It’s all about Gene Autry!’ and Karla Buhlman, President of Gene Autry Enterprises, and I, will be in-studio guests.  Karla is a very interesting woman (you can read my Round-up interview with her HERE  ) , and it’s perfect timing for me, as on Sunday in the Round-up, I’ll be reviewing the just-issued DVD set, THE COMPLETE GENE AUTRY TV SHOW.  

If you’re not in the immediate listening area for KHTS 1220 AM, you can hear the show on-line starting at 9:00 a.m. at www.hometownstation.com, and if you’d like to call-in with a question, you can do so at 661-298-5487.  And if you want to sleep late on Saturday, you can listen to the podcast later.  You’ll find all of the Around The Barn podcasts HERE http://hometownstation.com/podcasts/around-barn .

DON’T MISS ‘SHANE’ SATURDAY AT THE AUTRY

All year, folks attending the monthly ‘What Is A Western?’screenings at the Autry were asked to vote for their all-time favorite Western with the winner to be screened in December.  The big winner was SHANE (1953), the George Stevens-directed classic based on the novel by Jack Schaefer.  Starring Alan Ladd, Jean Arthur, Van Heflin and Brandon De Wilde, it is one of the most wholly satisfying films in the genre.  Among other memorable performances are the evil Jack Palance, the conflicted Ben Johnson, and the heroic-as-only-a-doomed-little-guy-can-be Elisha Cook Jr.  If you haven’t seen this, in 35mm, on a big screen, you should.  It starts at 1:30 in the Wells Fargo Theatre.  

LOOKIN’ FOR HELP TO FILM ‘NIETZSCHE OUT WEST’!

I’ve had a couple of very interesting emails from a Swedish-born filmmaker named Sven Anders.  He attended the recent Almeria Western Film Festival, where he worked to promote some interest in a Western version of Nietzsche’s ZARATHUSTRA , “an attempt to put some new wine in old boots, if you like,” to be shot on the Western sets in Spain. 

He tells me he pitched the idea to two of the Festival’s guests, Spaghetti Western stars Robert Woods and Nicola Di Gioia, “an idea which went down well with these charming western icons.”  He started a group-funding campaign through Indigogo, but has had, frankly, not much of a response.  He asked me to share his proposal with the Round-up readers, and I am doing so.  See what you think:  http://indiegogo.com/projects/el-encendero

DON’T FORGET THE BEST WESTERN CALENDAR I’VE EVER SEEN!

Just a little reminder that if you’re Christmas-shopping for someone with a sagebrush-and-pulp frame of mind, you should check out the beautiful Vintage Westerns calendar from the folks at Asgard Press (if you missed my review, HERE is the link). And don’t forget the 10% discount on any calendar for Round-up readers.  Here’s the link:  http://www.asgardpress.com/?promocode=HWR13

And here’s the promo code: HWR13

TCM FANATIC - WESTERN NOW ONLINE!

And speaking of TCM (okay, nobody was), have I mentioned that the segment I was interviewed for is now viewable here?








THAT’S A WRAP!

Next Sunday I’ll have my review of the new COMPLETE GENE AUTRY SHOW DVD collection, and a book review or two, among other things.  Have a great week!

Happy Trails,

Henry

All Original Contents Copyright December 2013 by Parke – All Rights Reserved

‘LONGMIRE’ RETURNS MEMORIAL DAY, PLUS ME & ‘MR. UGLY’

‘LONGMIRE’ RETURNS MEMORIAL DAY WITH KNOCK-OUT OPENER
Updated 5/20/2013 -- See Burt Lancaster item

Season two of ‘LONGMIRE’, A&E’s present-day Western lawman series based on the Craig Johnson novels, returns on Memorial Day with a terrific season opener.  I just saw the rough-cut last night, and high as the standards of this series have always been, Unquiet Mind is one of their very finest, and one of their most ‘western’, episodes. 

It’s the start of winter as a group of hard-core felons from various jurisdictions are being transferred to a maximum security facility.  When the transfer is fatally botched at the start of a blizzard, Longmire (Robert Taylor) must track them on foot, his personal quarry being a serial killer of Indians, who had just been in his custody.  It is very GUNSMOKE in all the best possible ways – and of course Marshall Dillon didn’t have to worry that meanwhile back at Dodge, Newly was trying to take his job, and sleeping with his daughter besides!

The solid ensemble cast is back, featuring Lou Diamond Phillips as Longmire confidante and saloon-owner Henry Standing Bear (Miss Kitty and Sam combined, minus the romance), Katee Sackhoff in the ‘Chester’ role of Deputy Vic Moretti, Bailey Chase as Branch ‘Newly’ Connally, and Adam Bartley as The Ferg, a heftier ‘Festus.’

LONGMIRE is set on the edge of ‘The Res,’ and the series treats the varied and distinct lifestyles of American Indians with an interest and knowledge that is unique on television.  Previous episodes have looked at tribal disenrollment and jurisdictional issues – often with Zahn McLarnon as hostile Indian Police Officer Mathias.  In this particular episode and many others, mystical and religious elements are brought in, handled with a style and grace that make them compelling, which in less-skilled hands would come off as sappy. 

There were a couple of story-beats that were a little unclear in what I saw last night, but that was a rough cut; I’m sure they’ll be ironed out before Memorial Day.  If you’ve been unaware of LONGMIRE, or simply missed an episode or two, you have a chance to catch up on Saturday, May 25^th, when A&E will run the entire ten-episode season one to prep you for the season two premiere.  Don’t miss it!

A GREAT SATURDAY SPENT WITH ‘MR. UGLY’!

 

Yesterday, fellow Western writer C. Courtney Joyner and I spent the morning doing audio commentary for THE BIG GUNDOWN (1966).  This excellent and often overlooked Spaghetti Western, directed by Sergio Sollima and co-written by Sollima and Sergio Donati, and starring Lee Van Cleef and Tomas Milian, is being issued by GRINDHOUSE RELEASING in an extended English-language version, including three major sequences that were never theatrically shown in the U.S.     

Lee on the hunt for Tomas

Spaghetti Westerns tended to run long by American standards, usually around two hours, and would be shown in Europe with an intermission.  American distributors routinely ‘cut to the chase,’ often removing important character and plot scenes if they slowed up the action; they wanted them short enough to play in double features.

The Academy Award-winning editor (for HURT LOCKER) Bob Murawski, President of GRINDHOUSE, explained to me that some parts of the film were dubbed into English but cut out of the theatrical release.  They were kept aside for when the film would be released to television, and further cuts would be required because of the violence; then these sequences would be put back, to pad out the running time.  Now, for the first time in the U.S., those scenes -- two in a monastery, and one with Milian and his wife – will be seen.  Also included in the release is the complete Italian-language version of GUNDOWN, including even more scenes that have never been dubbed into English. 

C. Courtney Joyner, Bob Murawski, Henry Parke

Photo by Jim Kunz

GUNDOWN was an extremely important film in Lee Van Cleef’s career.  A busy character actor in American film and TV for many years, work was petering out in the mid 1960s – he’d just played a supporting role in an episode of MY MOTHER THE CAR!  Van Cleef recalled that he was 24 hours from having his phone disconnected for non-payment when the phone rang, and it was Sergio Leone, asking him to do FOR A FEW DOLLARS MORE.  He went to Europe, made the film, and became an international star overnight.  His very next film was THE BIG GUNDOWN.  Interestingly, his costar, Tomas Milian, was in a very similar situation.  A Havana-born, New York-raised, Actor’s Studio-trained actor, he’d had parts in THE AGONY AND THE ECSTASY and BOCCACIO ’70, but he hadn’t made an impression.  He was planning to give up acting when Sergio Sollima offered him THE BIG GUNDOWN, which made him a star.  Incidentally, although Lee Van Cleef died in 1989, Tomas Milian is still alive and well, and  will soon be seen playing John Leguazamo’s grandpa in FUGLY!

Tomas has a laugh at Lee's expense

The Sergio Leone/Clint Eastwood westerns were a huge success in most of the world for several years before they came to the United States, and although BIG GUNDOWN was made before THE GOOD, THE BAD AND THE UGLY, it was released after, in the U.S.  The Columbia Pictures slogan for BIG GUNDOWN,‘Mr. Ugly Comes To Town!’ often triggers derisive comments from GBU fans because Eli Wallach’s character was ‘The Ugly,’ and Lee Van Cleef’s was ‘The Bad.’  (For any novices, Clint Eastwood was ‘The Good.’)  And while it’s true that some of the American publicity for GBU mixed up the names, I always figured Columbia called Van Cleef ‘Mr. Ugly’ in the poster because it brought up the association with the previous hit, and sounded cool in a way that ‘Mr. Bad’ would definitely not.  I’ll have more about THE BIG GUNDOWN when it gets nearer to release.   

ERNESTO GASTALDI FOLLOW-UP

 

 

I received a lot nice comments after last week’s interview with screenwriter Ernesto Gastaldi.  But as Tom Betts, who writes the excellent site Westerns... All'Italiana! reminded me, I should also have asked about MASSACRE AT FT. HOLMAN, starring James Coburn, Telly Savalas and Bud Spencer.  I’d been regretting not inquiring more about Terence Hill, so I decided to run both questions by Mr. Gastaldi:

 “Ugly title for "UNA RAGIONE PER VIVERE, UNA PER MORIRE" (“A REASON TO LIVE, A REASON TO DIE.”). This is one of the best movies directed by Tonino Valerii; for many people the absolute best. The Telly Savalas death I think is one of the best scenes in all Italian western movies.

“Terence Hill ( Mario Girotti) was great in Trinità and in MY NAME IS NOBODY. I told him to try to become our Cary Grant, acting in comedies. He answered me he hasn't this kind of talent. He was right.”

‘SIERRA SUE’ AND ‘SADDLE PALS’ SATURDAY 5/25 AT THE AUTRY

Every 4^th Saturday of the month the Autry presents a double-bill of Gene’s movies at noon.  This time it’s two Republics, pre-war SIERRA SUE (1941), and post-war SADDLE PALS (1947).  SUE features Champion, Smiley Burnette, Fay McKenzie, and westerners like Kermit Maynard, Rex Lease and Eddie Dean.  SADDLE PALS is on the wacky side, with eccentric millionaire Sterling Holloway swapping identities with Gene.  It’s directed by the very talented Lesley Selander, and edited by Harry Keller.  (Now I will digress.)  Keller quickly became a director at Republic, later moved to Universal, where he directed several memorable western films, including two with Audie Murphy.  He directed THE LORETTA YOUNG SHOW and several TEXAS JOHN SLAUGHTER episodes for Walt Disney.  He produced the wonderful noir MIRAGE, starring Gregory Peck.   He retired for a while, then went back to work as an editor when Sidney Poitier asked him to.  I had the pleasure of being his assistant editor on test scenes for THE CHALLENGE, a film written and directed by Pulitzer Prize winning playwright (for THE SUBJECT WAS ROSES), Frank D. Gilroy.  Sadly the film, which starred David Keith and Dee Wallace Stone, never got beyond the test-scene stage.

‘COURAGE, NEW HAMPSHIRE’ PREMIERES MEMORIAL DAY ON INSP

A new Revolutionary War era four-hour miniseries will premiere on INSP on Memorial Day.  Check out the preview below.

BURT LANCASTER – A CENTENNIAL CELEBRATION CONTINUES AT UCLA

This three month-long retrospective at UCLA’s Billy Wilder Theatre, under the auspices of their archive and the Hugh M. Hefner American Film Program, began in April and will continue through June, and includes some of his finest westerns. On Friday, June 7^th, see GUNFIGHT AT THE O.K. CORRAL (1957) and I WALK ALONE (1948); on Saturday June 15^thit’s THE SCALPHUNTERS (1968) and CASTLE KEEP (1969); on Sunday June 23^rdit’s ULZANNA’S RAID (1972); on Friday June 28^th it’s CATTLE ANNIE AND LITTLE BRITCHES (1981). To see the complete schedule, go HERE .

BURT LANCASTER CELEBRATION AT LINCOLN CENTER!

Just heard from Pittsburgh-based film editor Tom Dubensky (NIGHT OF THE LIVING DEAD 1990), that New York’s Film Society of Lincoln Center is also marking Burt’s century with screenings, several of them westerns, some this week!  Missed APACHE today, but on Tuesday it’s VERA CRUZ at 1pm, THE LEOPARD at 3pm (not a western, but Terence Hill is in it), and THE SWIMMER at 9pm.  On Wednesday it’s ULZANA’S RAID at 2pm, CRISS-CROSS at 4:15pm and THE KILLERS at 9pm.  Thursday it’s TWILIGHT’S LAST GLEAMING at 1:15pm, THE SWIMMER at 4:15pm, ELMER GANTRY at 6:15pm and ATLANTIC CITY (I love this movie) at 9pm.  Learn more here: http://www.filmlinc.com/press/entry/fslc-celebrates-burt-lancasters-100th-birthday-with-a-7-day-salute

THE WRAP-UP

I know, once again I don’t have the rest of my coverage of the TCM Classic Film Festival.  The opportunity to do the commentary on BIG GUNDOWN came up very suddenly, so other things had to be pushed back.  I’ll try hard for next week!

In the meantime, have a great week, and don’t forget to check out LONGMIRE and COURAGE, NEW HAMPSHIRE on Memorial Day!

 

Much obliged,

Henry

 

All Original Contents Copyright May 2013 by Henry C. Parke – All Rights Reserved