E-mail your entry, including your name, e-mail address, zip code and telephone number to firstname.lastname@example.org. If you’re not in the
Director Mateo Gil, best known as a screenwriter (OPEN YOUR EYES, THE SEA INSIDE) and screenwriter Miguel Barros have told a story that mixes adventure and melancholy, sentiment, philosophy and action. The men live in a beautiful but hard world, and Butch’s recognition of that hardness, his own view of the degrees of right and wrong, are central to the story. The action and gunplay is sufficient but not overblown. In fact, the grim efficiency of it, as portrayed by the filmmakers and exercised by the shooters, is much unnerving than the excesses of a lot of action films – and saying anything more on that score would be a spoiler indeed.
My only criticism would be the filmmakers’ apparent eagerness to leave plot scenes and get to the next character scene: our leads don’t try hard enough to catch the runaway horse, or put more distance between themselves and their pursuers after a lucky escape, because the story-tellers want to get to the emotional drama.
Sam Shepard started his career as too good-looking for a playwright, and his face has taken on added character with the years; he’s playing a man of his own age, and it suits him. He plays Cassidy with an understated and direct honesty. Cassidy’s not a ‘nice guy’ but he’s a decent man with a sense of honor and fairness, in a way that echoes William Holden’s version of the character in THE WILD BUNCH more than the cheerier Paul Newman take.
Produced by Andrés Santana and Ibon Cormenzana, BLACKTHORN is well made and well-worth seeing.
You can view the trailer on YouTube HERE. http://www.youtube.com/watch?v=M4SgoLvj6FQ
BLACKTHORN opens theatrically on October 7th.
H: What was Crash like to work for?
S: A very pleasant man. I mostly worked for a guy named Charley Aldrich, who ran the street shows. Crash was there every weekend, and had pictures taken with kids, on his horse, and all. He wanted to do movies in the middle of the week, during the summer, for the people, when there were no movie companies out there. He had an old script for a Billy the Kid show, an old 16mm camera, and a sound system. He cast me as Billy the Kid, so I’d go out there every day, and put make-up on – we had a small number of people pretending to be the crew. We started with film in the camera – and I’d love to get my hands on it, and I think Tommy Corrigan’s got it someplace. We shot two weeks or so, and I rode Flash, his horse, and he let me borrow his gun for the whole thing. That went on until September, when I had to leave abruptly, because I got a real job in
TCM FANATIC - WESTERN NOW ONLINE!And speaking of TCM, have I mentioned that the segment I was interviewed for is now viewable here?
THE AUTRY NATIONAL CENTER
Built by cowboy actor, singer, baseball and TV entrepeneur Gene Autry, and designed by the Disney Imagineering team, the Autry is a world-class museum housing a fascinating collection of items related to the fact, fiction, film, history and art of the American West. In addition to their permenant galleries (to which new items are frequently added), they have temporary shows. The Autry has many special programs every week -- sometimes several in a day. To check their daily calendar, CLICK HERE. And they always have gold panning for kids every weekend. For directions, hours, admission prices, and all other information, CLICK HERE.
HOLLYWOOD HERITAGE MUSEUM
Across the street from the Hollywood Bowl, this building, once the headquarters of Lasky-Famous Players (later Paramount Pictures) was the original DeMille Barn, where Cecil B. DeMille made the first Hollywood western, The Squaw Man. They have a permanent display of movie props, documents and other items related to early, especially silent, film production. They also have occasional special programs. 2100 Highland Ave., L.A. CA 323-874-2276. Thursday – Sunday 12 p.m. to 4 p.m. $5 for adults, $3 for senior, $1 for children.
WELLS FARGO HISTORY MUSEUM
This small but entertaining museum gives a detailed history of Wells Fargo when the name suggested stage-coaches rather than ATMS. There’s a historically accurate reproduction of an agent’s office, an original Concord Coach, and other historical displays. Open Monday through Friday, from 9:00 a.m. to 5:00 a.m. Admission is free. 213-253-7166. 333 S. Grand Street, L.A. CA.
FREE WESTERNS ON YOUR COMPUTER AT HULU
A staggering number of western TV episodes and movies are available, entirely free, for viewing on your computer at HULU. You do have to sit through the commercials, but that seems like a small price to pay. The series available -- often several entire seasons to choose from -- include THE RIFLEMAN, THE CISCO KID, THE LONE RANGER, BAT MASTERSON, THE BIG VALLEY, ALIAS SMITH AND JONES, and one I missed from 2003 called PEACEMAKERS starring Tom Berenger. Because they are linked up with the TV LAND website, you can also see BONANZA and GUNSMOKE episodes, but only the ones that are running on the network that week.
The features include a dozen Zane Grey adaptations, and many or most of the others are public domain features. To visit HULU on their western page, CLICK HERE.
TV LAND - BONANZA and GUNSMOKE
Every weekday, TV LAND airs a three-hour block of BONANZA episodes from 11:00 a.m. to 2:00 p.m. They run a GUNSMOKE Monday through Thursday at 10:00 a.m., and on Friday they show two, from 6:00 to 8:00 a.m.. They're not currently running either series on weekends, but that could change at any time.
NEED YOUR BLACK & WHITE TV FIX?
Check out your cable system for WHT, which stands for World Harvest Television. It's a religious network that runs a lot of good western programming. Your times may vary, depending on where you live, but weekdays in Los Angeles they run DANIEL BOONE at 1:00 p.m., and two episodes of THE RIFLEMAN from 2:00 to 3:00 p.m.. On Saturdays at 2:00 p.m. it's THE RIFLEMAN again, followed at 2:30 by BAT MASTERSON. And unlike many stations in the re-run business, they run the shows in the original airing order. There's an afternoon movie on weekdays at noon, often a western, and they show western films on the weekend, but the schedule is sporadic.
AMC has been airing a block of THE RIFLEMAN episodes early Saturday mornings, usually followed by Western features.
And RFD-TV is currently showing THE ROY ROGERS SHOW several times a week, and a Roy feature as well -- check your local listings.
That's all for this week's Round-up! I'm working on a documentary all this week, but hopefully I'll have my article on the Bonanzacon ready for next week's Round-up! Have a great week, and be sure to enter our Butch Cassidy contest, even if it's just to show off!
All Original Contents Copyright September 2011 by Henry C. Parke -- All Rights Reserved