‘SWEETWATER’ BLU-RAY GIVEAWAY, PLUS WESTERNS COMING TO YOUR TV (OR PHONE OR I-PAD OR WHATEVER)!

UPDATED 1/8/2014 - SEE 'WHEN CALLS THE HEART' REVIEW

SWEETWATER  - BLU-RAY REVIEW AND GIVEAWAY

I keep thinking there’s not a big difference between DVDs and BluRays, but when I saw the BluRay version of SWEETWATER, after previously viewing the DVD, I was stunned by the beauty of New Mexico.  And January Jones.  There really is that something extra in the BluRay format.  Not that I’m tossing my DVDs – Hell, I’ve got a couple thousand VHS tapes I’m trying to convert to DVD.  But if I’m given a choice of format, BluRay will win out.

If you, like me, do your best to see every western and neo-western and pseudo-western that comes out, then you know, the problem isn’t finding time for them all, but simply finding them.  And I have concluded that SWEETWATER is the best theatrical western for the year 2013.   That’s why I’m delighted that the distributor has provided me with two BluRay copies to share with Round-up readers.  I’m re-printing my review from October minor changes, and after that I’ll be telling you about the special features, and how you can win SWEETWATER.

You can read my interview with Andrew McKenzie, who wrote the original story for SWEETWATER, HERE .

SWEETWATER – a Movie Review

SWEETWATER, a beautifully produced western directed by Logan Miller and co-written by him and his brother Noah from the story by Andrew McKenzie, opens with a mysterious, babbling figure, in the person of Ed Harris as Jackson, in a breathtaking New Mexico desert, dancing and making apparently religious incantations to the rising sun.  Next we see Jason Isaacs as Prophet Josiah, amidst a phalanx of huge and oddly menacing white crosses, performing his own off-center-of-Christian ceremonies.  These men represent the opposing forces that will butt heads over a murder and, in so doing, tear asunder the lives of January Jones and Eduardo Noriega as Sarah and Miguel Ramirez, a young married couple struggling to farm a future from the sun-blasted desert of New Mexico.  They haven’t a snowball’s chance in Hell.   

To put it mildly, the deck is stacked against the couple.  We quickly gather that the young beauty is a former whore in a town where she used to ply her trade.  Her husband Miguel is an eternal optimist, forever giving people the benefit of the doubt, but his generosity is wasted on people who see in him nothing but a dirty Mexican.  Their paltry savings are stolen by the local banker.  The local merchant is far more interested in voyeuristically pursuing Sarah than in doing business with them.  When Prophet Josiah’s sheep eat their crops, and they suspect he’s killed their dog, the local sheriff is not even indifferent.  He’s contemptuous. 

Eduardo Noriega and Jason Isaacs

And Prophet Josiah who, with his flock, was run out of Utah, soon sets his sights on beautiful Sarah.  Prophet Josiah is the man with the money and the power in this Hellish region, and has the willing support of all the local businessmen and government.  At the same time, Sheriff Jackson has come to town to investigate the disappearance of two men, relatives of the Governor, whom we have seen Prophet Josiah murder for trespassing. 

This is the grim world of the town of Sweetwater.  Brad Shield, a 2^nd unit cinematographer on many big movies, has a wonderful eye for simultaneously capturing the full-hued beauty and stark, barren ugliness of the New Mexico desert.  And the stunning but not over-glamorized loveliness of January Jones, who shoulders much of the forward momentum of the story. 

Logan Miller directs with a precision and confidence that mirrors his strongest characters.  Nothing is arbitrary in the telling.  He is blessed with several strong actors, and skilled at drawing performances from them, and he has an impressive control of camera movement.  There is almost a hypnotic sense of menace to the scene where Miguel is threatened by a pair of men who circle him, one on foot moving clockwise, the other on horseback moving counter-clockwise.  It could have easily been overplayed, but it is all the more frightening because it seems natural, as does Miguel’s distraction.  Another scene, a hunt through the maze of a sheep pen, is particularly intense. 

January Jones

Jason Isaacs, who first impressed as the sadistic Col. Tavington in THE PATRIOT, and continued hatefully as Lucius Malfoy in the HARRY POTTER movies, is excellent as the sanctimonious hypocrite Prophet Josiah.  You watch him, knowing that you’d never follow him, but others would. 

January Jones, famous as Betty Francis, later Betty Draper in MAD MEN, compels your interest and sympathy by the strength of her character, and determination against tremendous odds.  She embodies the pioneer spirit.  And rather than modernizing the story to make it ‘relatable’, it stays in period, and portrays the desperation of a lone woman searching a vast land for her missing husband.  There is no phone, no police, no APB, no tracking a cell signal.  Pregnant, alone and searching, she must still plow the land or see the crops die.  She doesn’t have a sidekick to share her thoughts with, so much of her performance is facial and physical, and while she is helped by the occasional camera crane-shot showing the enormity of her challenge, the credit for the performance must go to her.    

Ed Harris and a pair of corpses

But the fun starts whenever Ed Harris appears on the scene.  As Cornelius Jackson, with dapper suit and shoulder-length scarecrow hair, he’s part mystic, part detective and part loony.  At times he plays it so broad it’s like he’s channeling Malcolm McDowell from CLOCKWORK ORANGE.  But it’s sheer pleasure to watch him and Prophet Josiah face each other, especially the dinner scene where Jackson demonstrates his contempt for the religious leader. 

SWEETWATER is a beautifully made Western, with a compelling plot, gripping action, strong performances, beautifully filmed and edited.  It is an ‘R’ for a reason.  In addition to some beautiful nudity on the part of Miss Jones, there is male nudity only a masochist would enjoy, apparent masturbation, sexual cruelty, and some rough language.

I do have some quibbles with moments that seem contrived.  For no apparent reason, a man presents a woman with a parasol, so that she’ll later be able to jab him in the eye with it.  Two men dig up a well-hidden body for the apparent purpose of being discovered doing it.  A character says some revoltingly crude remarks just before being killed, as if to let us know that he’s no loss: believe me, we already knew.  And just once in a while, I’d like to see a movie where a religious character is neither a hypocrite nor crazy. 

‘SWEETWATER’ – THE SPECIAL FEATURES

The BluRay comes with three special features; the theatrical trailer, singer Hudson Moore performing the end-title theme ‘Cold Grey Light of Dawn’, and a ‘making of’ short.  The trailer is solid.  Hudson Moore’s performance is very good – it’s an excellent song, and it’s almost too bad that it’s used over the end credits rather than in the film.  But this is not a ‘video’ per se, but the audio track played over a still photo of the singer.  The ten-minute ‘making of’ short was my favorite of the special features, as it gave so many cast members, from the stars to the supporting players, a chance to speak.  It was also interesting to see Logan and Noah Miller, who are identical twins with matching hair and beards, in action.  Ed Harris tells you which twin has the mole on his face, to tell them apart, but they moved too fast for me to catch it.

‘SWEETWATER’ – THE CONTEST

I have two beautiful BluRay copies of SWEETWATER, and I’ll be awarding them to a pair of Round-up readers, and one of them could be you!  How do you win?  Answer the questions below.

#1.) Lovely January Jones may be best known for MAD MEN, but she is not a stranger to sagebrush.  She’s starred in two previous western films, one made for TV, and the other a modern-day Western.  What are the titles?

#2.) Ed Harris is also comfortable in the saddle.  Like January Jones, he’s done one western for the big screen, and one for the small.  He also did a film where he jousted on a motorcycle.  Name all three.

 #3.) It’s not Eduardo Noriega’s first rodeo either.  What was his previous western?

 #4.) While villainous Jason Isaacs was never in a western before, he was in two films plotted in North America in the 18^th century, one set in Canada and one set in the United States.  Name them both.

 #5.) Stephen Root, who plays a very unpleasant character in SWEETWATER, has the longest western career of almost anyone in the movie, starting with a guest shot in a series in 1990.  He had a regular role in a modern-day western series, voiced Teddy Roosevelt once, did a modern western for the Coen brothers, and did two westerns with Johnny Depp.  Name any three of the six.

#6.) Finally, the original story writer, Andrew McKenzie, chose the name of Sweetwater for the town, as an homage to a classic Western movie.  Name it.  (Note: There are actually two legitimate answers to this.  I know which one Andrew intended, but to be fair, I’ll accept either one.)

Please email your entry to swansongmail@sbcglobal.net.  Make sure to include your snail-mail address, and put ‘Sweetwater Contest’ in the subject line.  We’ll be accepting entries until midnight, Sunday, January 12^th, 2014.  The two winners will be randomly selected from all correct entries.  Good luck!

NEW WESTERNS ON THE WAY:

‘JUSTIFIED’ RETURNS ON TUESDAY JAN. 7 ON ‘FX’

On Tuesday night, Timothy Olyphant will be back as Raylan Givens, and creepy Walton Goggins will be back as Boyd Crowder for season 5 of one of the best shows on TV, JUSTIFIED.  While everyone involved with the series feels the loss of the great Elmore Leonard, whose story FIRE IN THE HOLE was the basis of it, they are among the best writing, producing, directing and acting talent in the business, and will carry on in a way that would have made Dutch proud.

‘WHEN CALLS THE HEART’ SERIES PREMIERES SATURDAY JAN. 11

On Saturday, January 11^th  The Hallmark Channel will premiere their new Western series, WHEN CALLS THE HEART.  The turn-of-the-century story about a privileged young Canadian woman who moves to the frontier to teach children in a mining town, and perhaps to fall in love with a Mountie, the story first appeared on the cathode ray as a TV movie (see my review HERE  ) in October.  Based on Janette Oke’s very popular Canadian West series of romantic westerns, she’s also the lady who created the LOVE COMES SOFTLY series, which proved hugely popular series of movies for Hallmark and for writer/producer/director Michael Landon Jr.  The series has different stars, Erin Krakow and Daniel Lissing, in the leads, but maintained Lori Loughlin from the movie.

‘WHEN CALLS THE HEART’ SERIES PREMIERES WITH STRONG OPENER

Daniel Lissing and Erin Krakow

Good news for Western fans who found the ‘WHEN CALLS THE HEART’ movie pilot a bit unsteady: the premiere episode of the series, ‘Lost and Found’, airing Saturday, January 11^th, shows much more confidence, and a pleasing blend of the comic and dramatic.  The Hallmark Channel and Michael Landon Jr. might very well have a winner here, of the ‘Doctor Quinn On the Prairie’ variety.

While the movie had parallel stories, of niece and aunt as frontier teachers in different periods, which did not always mesh well, the series version focuses only on the niece in the beginning of the 20^th century.  Elizabeth Thatcher, now played by Erin Krakow, is still a daughter of wealth and privilege, and still at least partially motivated to teach in a frontier mining town by her younger sister’s belief that she doesn’t have the gumption to make a go of it.   And while there still is a Mountie in the story, he’s no longer a friend from home.  Now played by Daniel Lissing, Mountie Jack Thornton is, in fact, a constable who had a much more interesting post until he was transferred to this sleepy town of Coal Valley, perhaps at the request of Elizabeth’s powerful father. 

The funeral.

Only Lori Loughlin, as widowed mother Abigail Stanton, remains from the cast of the movie, and has remained lovely to look at while bringing a strength and solidity to the proceedings.  The episode recaps the final moments of the movie – reshot – where the young schoolmarm arrives in town after having her stagecoach held up, and learns the place is a well of sorrow: an explosion at the mine killed fifty-seven men, making Coal Valley largely a town of widows and orphans.  And with no real school, and the church recently burned to the ground, the learning takes place in a saloon.

In the midst of her first day of class, a trumpet-blast from the mine clears the classroom – it signals that the last of the miners’ bodies have been recovered, and with them, a last goodbye scrawled by a dying miner on a piece of timber.  Determining who wrote it, and hence to whom it belongs, is much of the remainder of the episode, and through the questioning, we begin to meet the townsfolk.  And also through said questioning, Constable Thornton starts to suspect there may be more to the mine explosion than a simple accident.

The western town sets and the quality of the photography are more than pleasing to the eye.  The costuming and art direction are of a much higher caliber and consistency that in the TV movie.  The performances are by and large strong.  Elizabeth’s early mistakes, and occasional catastrophes, are funny and endearing, and if the hostility between her and the Mountie are a predictable ‘cute meet,’ the fact is, it works.

The plank everyone claims.

Based on Jasette Oke’s novel, the plot of the opener serves to set up what is no doubt coming over the next nine weeks, as we learn more about the townspeople and the mine’s management.  There is one inexplicable leap of logic near the end of the episode, but it concerns nothing so crucial as to spoil the story.  I’m looking forward to week two.

‘KLONDIKE’ PREMIERES MONDAY, JAN 20 ON DISCOVERY

Executive Producer Ridley Scott brings a big, brawling tale of the Klondike gold rush, starring Tim Roth, Sam Shepard, Richard Madden and Abbie Cornish.

‘QUICKDRAW’ SEASON 2 SHOOTING FOR HULU

Comedian John Lehr will be back as Harvard-educated lawman John Henry Hoyle in a new season of QUICKDRAW for the internet entertainment site HULU.  I don’t know when the new season will begin playing, but I understand that they are currently shooting at the Paramount Ranch, and will be there until mid-February.  You can read my review of season one HERE, and if you don’t know the show, the trailer below, from season one, will serve as an introduction.

GONE WITH THE WIND’S ‘INDIA WILKES’, ALICIA RHETT, DIES AT 98

She only acted professionally once, but it was a pip!  After auditioning for the part of Melanie, which went to Olivia de Havilland, the Savannah-born portrait artist won the role of the sister of Ashley Wilkes (Leslie Howard), India.  An appropriate choice for her role, her great-grandfather was Senator Robert Rhett, known as ‘The Father of Secession.’  Offered other films roles, but not thinking herself right for them, she returned to Charleston, and continued with her career in portraiture, as well as painting children’s book illustrations.

The great-granddaughter of U.S. Sen. Robert Rhett, who was known as the "Father of Secession," Alicia Rhett was born in Savannah in 1915 but moved to Charleston following the death of her father, army officer and engineer Edmund Rhett, in World War I.

HAPPY 84^TH BIRTHDAY TO TV’S ‘BRONCO’ – TY HARDIN!

Tall, muscular, handsome and modest, Ty Hardin, star of BRONCO, one of Warner Brothers’ great western series of the ‘50s and ‘60s, turned 84 on New Years Day.  He also appeared in war movies like BATTLE OF THE BULGE and PT 109, and did several spaghetti westerns as well.  And true to his Warner Brothers/BRONCO/CHEYENNE/MAVERICK roots, he’s the only guy I know who has TWO poker nights a week!  Happy Birthday Ty!  Click the links below to read my two-part interview with Ty.

http://henryswesternroundup.blogspot.com/2011/08/bronco-layne-talks.html

http://henryswesternroundup.blogspot.com/2011/08/disney-pulls-plug-on-lone-ranger.html

SOMETHING NEW FOR ‘SPAGHETTI METAL’ FANS!

Here’s a peek behind the scenes of the Aussie metal band A BREACH OF SILENCE shooting their new video, NIGHT RIDER, which is a tribute to the Pasta West as well as Red Dead Redemption.  Lots of head-banging music, pretty saloon girls, and nice photography, especially the make-up related stuff.  I’m looking forward to the finished video!

THAT’S A WRAP!

I’ll be giving you details very soon about two new westerns that have just wrapped, and reviewing the first authorized set of DVDs of the complete first season of THE RIFLEMAN!

Happy Trails,

Henry

All Original Contents Copyright January 2014 by Henry C. Parke – All Rights Reserved

MCQUEEN’S BACK, ‘DEAD OR ALIVE’ ON ME-TV, plus COMIC WESTERN ‘QUICKDRAW’ NEW ON HULU!

UPDATED 9/4/2013 – See change of date on ‘AROUND THE BARN’ story.

UPDATED 9/2/13 11:08 A.M.

Labor Day triggers a new schedule for the Me-TV network – and they’re bringing back Steve McQueen in his star-making role of bounty hunter Josh Randall in WANTED: DEAD OR ALIVE.  A series not seen on television for many years, McQueen did 94 episodes from 1958 to 1961, and in my humble opinion it was one of the great half-hour westerns, right up there with HAVE GUN WILL TRAVEL, THE REBEL, THE RIFLEMAN, and the first six years of GUNSMOKE.  It’ll play weekdays at 5 am, and Saturdays at 4 pm. 

F-TROOP, the delightful western comedy series, will play Monday through Thursday nights at 9:30 pm.  It stars Forrest Tucker as Sgt. O’Rourke, and Larry Storch – soon to be seen in the new Western feature KNIGHT OF THE GUN – as Cpl. Agarn, playing a pair of lovable Bilko-like old west connivers, with Ken Berry as the well-meaning but clueless Captain Parmenter, their hapless foil, and beautiful, feisty Melody Patterson – jail bait at the time! – as Wrangler Jane.  Also standouts in the cast are James Hampton as Dobbs, Frank DeKova as Chief Wild Eagle, Don Diamond as Crazy Cat, and in a tremendous break from his B-western heroics, Bob Steele in a terrific comic turn as Duffy.

WAGON TRAIN will continue Saturdays, but at 11:30 am; RAWHIDE will be seen Saturdays at 3 pm; THE RIFLEMAN continues with its hour block weeknights at 6 pm, plus Saturdays at 5 pm; and DANIEL BOONE will continue weekdays at 9 am.  

‘QUICKDRAW’ – a TV Review

The folks at HULU have been making new and old movies and TV shows available online for a few years, but only recently decided to produce their own exclusive content.  I got word in February that they were set to make a western comedy series, QUICKDRAW.  The show stars John Lehr, who toplined the series 10 ITEMS OR LESS, but is perhaps most familiar as one of the resentful cavemen in the very dry and funny series of GEICO INSURANCE commercials.   He and Nancy Hower created QUICKDRAW; they write it together, and she directs. 

Under considerable secrecy their company took over Paramount Ranch in Agoura for the month of March, and shot a season of eight half-hour (okay, 23 minutes) episodes.  I so wanted to see what was going on that, when they wouldn’t permit press, I tried to get on as an extra, but they were a SAG show, so that didn’t work either.  Well, with virtually no fanfare, the shows have been completed, and the first five episodes are available for free right now online – here’s the link to episode 1 on HULU:   http://www.hulu.com/#!watch/511696#i0,p0,d0

John Lehr plays lawman John Henry Hoyle, newly appointed sheriff in a town where you can place a bet at the local saloon on the time and day that the new sheriff will die.  Sheriff Hoyle, unlike his predecessors, is a Harvard man, and absolutely full of himself, convinced that, being an educated man, he knows more about everything – include subjects he knows nothing about -- than any of the simple dolts in town.  In truth, he is a horse’s ass, although good with a gun.  He is assisted by Deputy Eli Brocius (Nick Brown), who is also not that bright, but not self-deluded.  (Whenever Oliver Hardy, the fat one of Laurel and Hardy, was asked whose character was dumber, he always said his own.  He reasoned that Stan was dumb, and knew it.  Ollie was dumb, and thought he was smart, which made him really dumb.)  In fact, every man in the show is a dimwit, and every woman is smart, sassy, sexy, and a whore.  This is a PC updating of the old burlesque tradition where the men were dumb but sly, and all the women were sexy, but dumber than the men. 

In tone, QUICKDRAW is BLAZING SADDLES meets ARRESTED DEVELOPMENT.  It’s vulgar like BLAZING SADDLES, but played largely straight-faced like ARRESTED DEVELOPMENT, and a lot of the humor comes from having very modern-seeming characters, especially Hoyle, in a period situation where, in reality, they wouldn’t survive long.  Surprisingly, while the show has no intention of being ‘good history,’ there is an obvious awareness of history in the setting up of gags.   Cole Younger, Belle Starr, Pearl Starr, and the Bender family all turn up, as do small-pox-infested Army blankets. 

The production makes optimum use of the Paramount Ranch facilities, and costume and art direction credits are admirable.  There is a bit of riding and frequent gunplay, the latter not surprisingly played for laughs. 

One of the stand-outs in the supporting cast is Bob Clendenin as Vernon Shank, the undertaker; his bald pate and long, sorrowful face are as familiar from neo-noirs like L.A. CONFIDENTIAL and THE 13^TH FLOOR as they are from comedies.  Also notable are Allison Dunbar as a whore and saloon-keeper named Honey, and Alexis Dox as Pearl. 

A couple of years ago, when the success of the 3:10 TO YUMA and TRUE GRIT remakes brought heat to the Western genre, every network had at least one series in development, and at least two proposed drama series dealt with an educated easterner going west to apply modern scientific methods to crime investigation.  I’d be willing to bet the creators of QUICKDRAW saw the obvious humorous possibilities in the premise, and accidentally had their parody beat the dramas to the marketplace. 

I wouldn’t recommend showing this ‘DIRTY F-TROOP’ to kids, as the language tends to be, perhaps in a nod to DEADWOOD, but more likely as an easy laugh, peppered with not four-letter words, but the occasional ‘vagina,’ ‘testicle’ and ‘intercourse.’  And the visuals often go for shock-value; one episode opens with a stage-coach riding into town driven by a decapitated driver, the coach full of corpses that are later handled without a modicum of respect. 

The show is a continuing saga, so it makes sense to watch it from the beginning.  I’ve seen the first three episodes, and I plan to watch the whole season.  My biggest reservation with the show is also my most basic.  While I found many things to amuse me, moments to smile about, I don’t know that I laughed out loud even once. 

R.I.P.D. ARRIVES D.O.A.

The Round-up had been following this comic-book adaptation ever since it was announced a couple of years ago.  Granted, a sci-fier about dead cops tracking dead criminals for the Rest In Peace Department isn’t exactly a natural for the Round-up.  But I figured with Jeff Bridges playing a long dead old-west lawman, partnered with newly dead partner Ryan Reynolds, it would be of interest to Western fans. 

I was a little annoyed when all of my requests for a screener copy, or admission to a press preview, were ignored.  Then I found out there were no screeners or previews, and I understood it was nothing personal.  Then last night I caught the film at a ‘dollar’ theatre, and I understood completely.  The filmmakers had nothing to gain by letting the press get an early peek.

R. I. P. D. is sewn together from stolen parts in much the same way Frankenstein’s monster was.   If you remove the elements jacked from GHOSTBUSTERS, GHOST and the MEN IN BLACK films, what you have left is…Jeff Bridges.  And typically, the filmmakers don’t understand the films they steal from.  (‘GHOST’ spoiler alert!)  It took a long time, and was a helluvah shock, to realize that Tony Goldwyn was the villain of the piece; but Kevin Bacon, playing that role in R.I.P.D., is revealed in the first few minutes, and as a result has virtually nothing to do for the rest of the film except cackle with glee. 

In a nutshell, Ryan Reynolds is an almost-clean Boston cop who, with partner Kevin Bacon, stole a big gold whatsit from some meth dealers they were busting.  Reynolds feels guilty, wants to turn it in, hence Bacon can’t afford to let him live.   The whatsit turns out to have much greater significance than its monetary value, and saying more would give away what painfully little non-obvious plot there is.

Some of the technical credits are very good.  The art direction goes from the so-so to the occasionally stunning – a tornado of souls traveling to and from the other side is particularly memorable.  The endless effects are competent, and some of the chase stuff at the end is very exciting, except that by that point you’re looking more closely at your watch than the screen.  And the design of the creatures is so obviously copied from the previously sited films that it’s embarrassing.

While Jeff Bridges is amusing in his swagger, and particularly enjoyable in his by-play with Mary Louise Parker as a emotionless and hyper-competent office-runner who regrets their dalliance, there is little sense of chemistry between Bridges and Reynolds.  For me, the most pleasant surprise was the simple sincerity of Reynolds’ performance.  Whenever he played to the pain of the cop who had lost the love of his life (Stephanie Szostack), all the crap fell away, and for all-too-brief moments the story became utterly believable. 

‘ROUND-UP’ ON THE AIR AND ‘AROUND THE BARN’ ON SAT. DEC 14TH!

Bobbi Jean with her commendation from the L.A. County

Board of Supervisors

(Please note:  I would not normally plug my radio appearance three months in advance.  It was originally scheduled for this coming Saturday, but we were just preempted by a Dodger baseball game.  Go Dodger Blue (I guess)!

On Saturday, December 14th, I will be a guest of Bobbi Jean Bell on her Saturday morning show on  KHTS AM 1220, ‘Around The Barn.’  Heard every Saturday from 9 to 10 a.m., hosts Bobbi Jean Bell and Julie Fox Pomilia discuss western culture, music and lifestyle.  Bobbi Jean is the lady behind the Outwest Western Boutique and Cultural Center in Santa Clarita:

http://www.outwestmktg.com/  But don't wait until December -- you can hear the program live every Saturday (except September 7th) by clicking the following link, and clicking on ‘Listen Live.’  http://hometownstation.com/content/saturday-program-schedule

‘RAMONA DAY(S)’ SATURDAY, SEPT. 7^TH!

I had a great time last year attending RAMONA DAYS, at Piru, the home of Rancho Camulos, also known as The Home of Ramona.   The del Valle family received is as a huge land- grant (48,612 acres!) from the government of Mexico in 1839; it achieved international fame when author Helen Hunt Jackson visited in 1882, and decided to set her novel, RAMONA, there.  (You can read my detailed description of my visit HERE . )

I understand that this year’s celebration will feature the Ramona Pageant Players and Dancers, Flamenco dancers, historical re-enactors, tours of the beautiful grounds and gardens, and the historic 1853 adobe, special children's activities, food, specialty vendors, and an exciting raffle with great prizes. Advance tickets are now on sale for only $7 per adult ($10 at the gate). Children are free. To learn more, and to purchase tickets, go here: http://events.r20.constantcontact.com/register/event?oeidk=a07e7zw7m3k37d4d78c&llr=nvg6ppmab

THE CONTINUING SAGA OF JAMES FENIMORE COOPER’S HOME AND PLAQUE!

The onetime address of James Fenimore Cooper, a

gay steam-bath, and a video store.  Col. Hamilton's

home is on the right.

What an interesting can of worms I opened up!  As regular readers know, when I was back in New York City a couple of weeks ago, I hiked with fellow NYU alum and Round-up contributor Jonathan Boorstein over to St. Marks Place, an old block on the Lower East Side.  In our college days we would often walk past a building, The St. Marks Baths, which a plaque announced had been the home of Leatherstocking Tales author James Fenimore Cooper; I thought I’d snap a picture of the building and plaque for the Round-up.   

We trudged up and down the two-block length of St. Marks Place, but never found the plaque.  I snapped a picture of what I thought to be the right building, at 4 St. Marks.  I’d sent an inquiry to the folks at the James Fenimore Cooper Society, about the address and the plaque, and received a response from Hugh MacDougall, Corresponding Secretary:

“You are quite correct. Cooper lived at 4 St. Marks Place (pictured in your attachment) for a time after his return from Europe in 1833. Specifically, he lived there from May 1, 1834 until May 1, 1836 (May 1 was the standard period for leases in New York to begin and end). He, and sometimes his family also, made a number of trips to Cooperstown during that period, as he arranged to buy back and remodel his old family home (Otsego Hall) originally built about 1800 by his father William Cooper.”  He also included a photograph of the house from Mary Phillips’ 1913 biography, JAMES FENIMORE COOPER.  “It is clearly the one you photographed.”  (Click HERE to see the photos and article from last week’s Round-up. )

I pressed him for information on the plaque, and heard back from Mr. MacDougall with details about the building’s history.   The entire block of St. Marks Place between 2^nd and 3^rd Avenues was built by English-born real estate developer Thomas E. Davis in the 1830s.  The house at 4 St. Marks is known as the Hamilton-Holly House as it was bought in 1833 by Colonel Alexander Hamilton, son of the former Secretary of the Treasury, who had been killed in a duel with Vice President Aaron Burr.  It was a very elegant block of one-family homes, but had become run-down, and most of the grand homes had become boarding-houses by the time of the Civil War (you know a house is old when you talk about the neighborhood going bad in the 1860s).

Mr. MacDougall told me that he’d passed my inquiry about the plaque to the New York Historical Society.   A couple of days later I received a startling update: we were looking at the wrong building!  The house pictured in a century-old photograph and described in the Cooper biography, described in numerous historical texts, and by myself, the Hamilton-Holly is next door to Cooper’s home!  The correct address is 6 St. Marks Place.  Mr. MacDougall forwarded the letter from Joseph Ditta, Reference Librarian of the NYHS, to me.  It contains several links to documents and articles.  One, by Jeff Weinstein for his Out There blog in 2008, detailed that until fairly recently, 6 St. Marks had been the home of Kim’s Video, a vast and fabled New York video store that catered to knowledgeable and voracious movie-lovers much as Eddie Brandt’s Saturday Matinee does to West-coasters to this day.  “Kim branches opened and closed, but the move to a spacious site at 6 St. Marks Place allowed the addition of CDs and digital paraphernalia. But only the videos drew me and other addicts into the moldy elevator week after week. The building had before housed the New St. Marks Baths, a gay-sex meeting place shuttered because of AIDS (a complex story in itself), and a semigay Turkish bath before that. Mr. Kim had plenty of cleaning to do — not all of it completed, as far as I could tell. I also recall a plaque on the old building: ‘On this site stood the winter residence from 1834-1836 and the last New York City home of the novelist James Fenimore Cooper.’”  You could in fact rent LAST OF THE MOHICANS in the former home of its author. 

Well, that answers that.  And I am grateful to The James Fenimore Cooper Society, and The New York Historical Society, and Jeff Weinstein, for setting the matter straight.  Now if we could only get the plaque put back up!  And one more postscript.  I also asked Mr. MacDougall how far west Cooper, whose western tales were often set farther east than later writers, had travelled.  “The farthest west Cooper ever traveled in America was Kalamazoo, Michigan and its area – which he visited several times towards the end of his life because of some property he had acquired there, and (as was often the case) made use of the occasion to scout out the background for a novel (The Oak Openings, or The Bee Hunter, published in 1848, and the last of his “Indian” tales).”

THE WRAP-UP

That's it for this week -- hope you're having a great Labor Day Weekend!  I know -- here's a salute to both the Jerry Lewis MD Telethon, and the King of the Cowboys!

Happy trails!

Henry

All Original Content Copyright September 2013 by Henry C. Parke -- All Rights Reserved