Showing posts with label Douglas Fairbanks. Show all posts
Showing posts with label Douglas Fairbanks. Show all posts

Tuesday, May 10, 2016

NEW CHARLES LUMMIS DOC., ‘6 BULLETS’ FILM & GAME RELEASE, PLUS ‘UNDERGROUND’ FINALE, MEL GIBSON’S ‘BARBARY COAST’, AND MORE!



MUST-SEE TV -- CHARLES LUMMIS DOCUMENTARY AIRS ON KCET TUESDAY!
On Tuesday, May 10th, at 9 pm, the California arts documentary series ARTBOUND returns to KCET with CHARLES LUMMIS: REIMAGINING THE AMERICAN WEST.  While not a name on the tip of many tongues today, Lummis’ contributions to the history of the Southwest United States, particularly Los Angeles, would be hard to overstate.  On Saturday, a panel featuring many of interviewees in the film discussed Lummis and the documentary at the first museum in Los Angeles, which Lummis built, The Southwest Museum, surrounded by one of the world’s finest collections of American Indian art and artifacts, which Lummis collected.


Lummis watches over producer Juan Devis' shoulder

Charles Fletcher Lummis, born in Massachusetts in 1859, grew up at a time of individualists.  He was classmate of Theodore Roosevelt at Harvard, but dropped out, wrote for a Cincinnati newspaper, but quit when he got a better offer – working for the Los Angeles Times.  He proposed that he walk to L.A. from Cincinnati, and became a media sensation from the newspaper columns he posted en route.  His contact with American Indians along the way would greatly influence the rest of his life. 


Lummis' granddaughter, poet Suzanne Lummis

After 143 days afoot, he arrived and was made city editor of Times.  It was 1885, which was, as Lummis’ granddaughter pointed out, the year that RAMONA-author and Indian rights activist Helen Hunt Jackson died.  It was a passing of the torch.  Los Angeles was in a time of transition – it had a population of only 12,000 when Lummis arrived – and he saw, with concern, that as the numbers quickly swelled, the history of the Indian and Mexican and Spanish people who had lived there before the Anglos was disappearing.  While a sincere and enthusiastic booster for Los Angeles, he did not want to see a homogenized city, and used his skills as an anthropologist, writer, poet, and photographer to both preserve the rapidly fading past, and make a convincing argument that this past should be incorporated in the city’s future.  Neither a paralyzing stroke – he healed, nor blindness – it proved temporary, could slow him down.  I highly recommend this documentary, and hope it will soon be available for viewing outside of L.A.

‘6 BULLETS TO HELL’ MOVIE AND VIDEO GAME PREMIERE TUESDAY!


In a very clever bit of synergy and cross-promotion, Tuesday, May 10th marks the release of both 6 BULLETS TO HELL the movie on iTunes, and 6 BULLETS TO HELL the video game.  The film stars Tanner Beard, Crispian Belfrage and Russell Cummings, and Round-up readers have been following 6 BULLETS since it rolled camera in 2013, and as I said in my review – read it HERE – 6 BULLETS is a new Spaghetti Western filmed in the holy ground of Almeria, Spain, and masterfully captures the spirit of the originals.  Here’s the trailer from the movie.


CHECK OUT MY MOTHER’S DAY COLUMN AT INSP


I had the pleasure of writing a guest Mother’s Day column for the INSP-TV blog, honoring actress Barbara Stanwyck, and one of her most famous characters, Victoria Barkley from THE BIG VALLEY.  It gave me the opportunity of interviewing her co-star from TROOPER HOOK, Earl Holliman, and Kate Edelman, whose father, Louis Edelman, co-created and produced THE BIG VALLEY, who both shared their memories of ‘Missy’ with me.  You can read it (and I wish you would) HERE.

‘UNDERGROUND’ SEASON ONE ENDS WED. WITH A MARATHON


If you, like me, were late to discover WGN’s series about slaves escaping through the Underground Railroad, you can catch up starting Wednesday, May 11th at 10 a.m. (check your local times).  As I reported in the last Round-up, UNDERGROUND has been picked up for a second season.  

MEL GIBSON, KURT RUSSELL, KATE HUDSON TO STAR IN WESTERN SERIES ‘BARBARY COAST’!


Mel Gibson will be co-writing and directing as well as starring with Kurt Russell and Kate Hudson in BARBARY COAST, based on the history book of the same title by Herbert Asbury, whose GANGS OF NEW YORK was filmed by Martin Scorcese.  The story of the wicked early days of San Francisco during the Gold Rush of 1849, it will be produced by the Mark Gordon Company , who currently produce QUANTICO, CRIMINAL MINDS and GREY’S ANATOMY. 

While the beautiful and talented Hudson is a newcomer to the genre, her co-stars are not.  Mel Gibson played the lovable scoundrel MAVERICK (1994), the Revolutionary War hero in THE PATRIOT (2000), and even voiced John Smith in Disney’s animated POCAHONTAS (1995).  Kurt Russell is a Western icon ever since playing Wyatt Earp in TOMBSTONE (1993), has recently starred in both HATEFUL 8 (2015) and BONE TOMAHAWK (2015), but hasn’t done a Western series since he co-starred with Tim Matheson in THE QUEST (1976).

CELEBRATE JOHN WAYNE’S BIRTHDAY WED. MAY 18 AT THE AUTRY!


Rob Word’s Word On Westerns will salute the Duke with a gathering of friends and family, including son Patrick Wayne, granddaughter Anita Wayne LaCava Swift, and co-stars Robert Carradine (THE COWBOYS), Paul Koslo (ROOSTER COGBURN), and author and historian Chris Enns.  These one-of-a-kind events have been so packed of late that there have been some wise changes made.  It will begin at eleven – not noon – and at the Wells Fargo Theatre.  The program will begin with a performance by Will Ryan and the Saguaro Sisters, and eventually everyone will segue across the courtyard to the Autry Crossroads Café for lunch.  Doors open at 10:30 a.m. – don’t be late!

DOUG FAIRBANKS IS ‘WILD AND WOOLLY’ SAT. MAY 21 AT THE EGYPTIAN!



Douglas Fairbanks stars in this delightful comedy from nearly a century ago, as a sophisticated New Yorker who wants to experience the Wild West – and boy, does he!  It was written by Anita Loos, the first brilliant screenwriter, and her husband John Emerson.  Loos started her career  young – some say as young as 12 – when, hanging out in her father’s nickelodeon theatre, she wrote a scenario and sent it to the name and address on a film can in the projection booth – to D.W. Griffith at Biograph Pictures.  (Forgive my digression, but back in the 1970s, Anita Loos became a good friend of my mother’s, and although I only met her briefly, it was a thrill – and I can remember every word she told me about a nightmarish dinner party with Scott and Zelda Fitzgerald.) The film is directed by Emerson, and the cinematographer is Victor Fleming, who in 1939 would direct both GONE WITH THE WIND and THE WIZARD OF OZ!  Presented with a live piano accompaniment by the Cliff Retallick, this is part of the Egyptian Theatre’s long running Retroformat series, showcasing long-unavailable silent films shown in 8mm or 16mm.  Learn more HERE

THAT’S A WRAP!

Coming soon to the Round-up I’ll have coverage of my visit to the set of IMPULSION, the Santa Clarita Cowboy Festival, the TCM Festival, and a bunch of great interviews I haven’t had a chance to transcribe.   Have a great week or two!
Happy Trails,
Henry

All Original Material Copyright May 2016 by Henry C. Parke – All Rights Reserved 

Monday, April 2, 2012

BATTLE TO SAVE PICKFAIR STUDIOS!



Today, Sunday, April 1st, at one p.m., a mob filmmakers and filmgoers gathered outside ‘The Lot’, on Santa Monica Boulevard in West Hollywood, to try and save Pickfair, the oldest functioning movie studio in the world.  Built in 1919 by producer/director Jesse D. Hampton, he soon sold it to America’s sweetheart, Mary Pickford, and her sweetheart, Douglas Fairbanks.  It was here that she made, among many others, MISS ANNIE ROONIE and TESS OF THE STORM COUNTRY; he did great swashbucklers like MARK OF ZORRO and THIEF OF BAGDAD, and they made their one film together, the early talkie THE TAMING OF THE SHREW. 



When they united with Charlie Chaplin and D. W. Griffith to have greater control of their movies, and formed UNITED ARTISTS – prompting Metro Pictures president Richard Rowland to quip, “The lunatics have taken over the asylum!” -- it became United Artists Studios. 


Griffith, Pickford, Chaplin and Fairbanks



They all produced successfully there, and were soon joined by independent producers like Howard Hughes and Samuel Goldwyn.  The fortunes of Goldwyn in particular grew as, with the coming of sound, the careers of the original four shrank, and the lot became Goldwyn Studios, where for decades, some of Hollywood’s finest films were produced, from DEAD END to BEST YEARS OF OUR LIVES.  Billy Wilder located his offices at the lot.



Goldwyn Studios was Sam Peckinpah’s home base from MAJOR DUNDEE through THE WILD BUNCH and beyond – the scuttlebutt is that he actually lived in his offices for some time.   In the 1990s Warner Brothers bought it, and changed the name to Warner Hollywood Studios.   It has been a busy lot right from the start, and has continued with feature and TV production – currently several of its seven soundstages are in use for HBO’s TRUE BLOOD. 


Studio seen from the air

But since 1974, when a bubble-machine on the set of SIGMUND AND THE SEAMONSTERS overheated and burned down a sound-stage, the studio has never been under a serious threat until about a week ago.  That’s when The Lot’s new owners, The CIM Group, announced a six step plan for the ‘renovation’ of the studio that would call for the destruction of the Pickford Building, the Goldwyn Building, the Fairbanks Gym, and many others. 



The greater Los Angeles area – whether talking about L.A. proper, Burbank, West Hollywood or the San Fernando Valley – is notorious for its disinterest in its own history.  Over the past dozen or so years, Warner Brothers, Walt Disney Studios and Paramount Pictures destroyed most or all of their western streets and other standing sets to make room for multi-level garages and office buildings.  The doomed structures at Pickfair would be replaced by glass towers. 



In spite of the fact that the threatened buildings all deserve landmark status, the West Hollywood City Council quietly approved these plans, and CIM Group intends to begin bulldozing in a couple of weeks.  Rumor is that they may start sooner, to make the protests moot.  One interesting aspect of the situation is the The Lot straddles the Los Angeles/West Hollywood border, and some of the structures the West Hollywood City Council has signed off on aren’t even in their city. 


Joe Dante speaks with the press


And who are the CIM Group?  The developers of, among many other projects, the heavily taxpayer-underwritten Hollywood & Highland.  On their websites they describe themselves as, “…a transformational urban real estate and infrastructure investment firm founded in 1994 with over $9.5 billion in assets under management.”  To find out more about the CIM Group, you can visit their site, which includes contact info, here: http://www.cimgroup.com/You can read an LA WEEKLY article about them, called CIM GROUP, HOLLYWOOD’S RICHEST SLUMLORD, here: http://www.laweekly.com/2009-09-03/news/cim-group-hollywood-39-s-richest-slumlord/.



Director Allison Anders (FOOD, GAS, LODGING) has spearheaded the protests, and was present, along with familiar faces like director Joe Dante (GREMLINS) and special effects wizard Greg Kimble (INDEPENDENCE DAY).   Director Michael Donahue, whose upcoming THE EXTRA stars Tyrone Power Jr., John Saxon and 103 year-old Carla Laemmle, niece of Universal Pictures founder Carl Laemmle, puts it this way: “I have worked in studio management for twenty-five years.  And there has been an unspoken agreement between management, film preservationists, and people who love tourism, that they would leave old Hollywood alone.  (When CIM bought the lot) they promised to preserve it.  They are instead…tearing everything down and building it new.”  That’s the problem with unspoken agreements, and buildings that are of landmark status, but haven’t been officially named landmarks.

If you’d like to learn more, and sign the petition, go HERE.  On Monday at 6:30 p.m., the West Hollywood City Council will be meeting.  If you would like to attend, and need more information, go HERE. The phone number for the City Council is (323) 848-6460.  Their email is ccouncil@weho.org.

UPDATE MONDAY 4/2/2012 3:46 PM.  Just wanted you readers to know that I heard from the media contact for the folks trying to save Pickfair Studios.  They're very happy with the coverage, and wanted me to encourage you to contact the West Hollywood City Council and CIM Group to let them know you want Hollywood history to be preserved.  I KNOW WE HAVE MANY INTERNATIONAL READERS, AND I ENCOURAGE THEM TO MAKE THEIR FEELINGS KNOWN.  THIS AFFECTS THE INTERNATIONAL MOVIE COMMUNITY, NOT JUST US LOCALS.


EDUARDO FAJARDO TO BE HONORED ON ALMERIA ‘WALK OF STARS’



As fans of Spaghetti Westerns know, Almeria, Spain (not Italy) was the center of production for sagebrush sagas in the 1960s and 1970s.  To recognize that region’s importance to film history, as part of its Almeria, land of Cinema project, the City Council of Almeria is inaugurating a ‘Walk of Stars’ outside of the Cervantes Theatre.  And the first star to be honored will be Eduardo Fajardo.  


Not a household name in the United States, Fajardo is one of the great suave villains of the Euro-Western, usually playing an evil or corrupt authority figure.  He was the despicable Major Jackson in DJANGO, the Colonel in COMPANEROS, General Huerta in DON’T TURN THE OTHER CHEEK, and General Duarte in BAD MAN’S RIVER.  He was a favorite of director Sergio Corbucci, for whom he did five movies. 

The event will be held at 6:00 p.m. on Friday April 13, when the actor will place the first star, with his name inscribed in bronze.


AIRINGS AND SCREENINGS


ROY ROGERS IN ‘KING OF THE COWBOYS’ on RFD TUESDAY

My personal favorite of the ‘War Effort Westerns’,  Tuesday at 2 pm Eastern time, Roy battles Nazi saboteurs in KING OF THE COWBOYS (1943), directed by the great Joe Kane.


‘MCCABE & MRS. MILLER’ WEDNESDAY AT THE AERO

On Wednesday, April 4th, the Cinemateque at the Aero in Santa Monica will show Robert Altman’s MCCABE & MRS. MILLER, starring Warren Beatty and Julie Christie. 


AUTRY DOUBLE BILL SATURDAY

As they do on the first Saturday of every month, the Autry Center will show a free (with Museum admission) Gene Autry double feature in the Imagination Gallery’s Western Legacy Theater.  This time it’s BACK IN THE SADDLE (1941 Republic) and HILLS OF UTAH (1951 Columbia).  The movies start at noon. 


DON SIEGEL – CLINT EASTWOOD DOUBLE BILL SUNDAY, MONDAY

April 8th and 9th, the New Beverly Cinema will play a great pair of Siegel/Eastwood collaborations: COOGAN’S BLUFF and TWO MULES FOR SISTER SARA.  Listen for the excellent but rarely heard Morricone score in the latter!



TWO MORE WESTERNS FROM FINDERS KEEPERS VIDEO


DRIFT FENCE




One of a dozen or so Zane Grey novel adaptations that Paramount turned out in the 1930s, DRIFT FENCE (1936) is well done, and the DVD from Finders Keepers Video is particularly handsome, taken from a print with few scratches, no noticeable splices, and a complete range of greys.  Though presented as starring Buster Crabbe, he’s actually the second lead, and a villain at that – a nice novelty for an actor who was almost always the hero.  And for those of us who have been numbed by watching the virtually indistinguishable Billy The Kid films Crabbe made for PRC soon after, it’s nice to see him given a chance to act. 

The star of the tale in Tom Keene, westerner friend of wealthy dude Benny Baker.  When Baker’s dad wants him to go west and take over the family’s ranch, he convinces Tom Keene to take his place, and Keene is soon up to his neck in rustlers, led by Stanley Andrews and his henchman, Slinger Dunn (Crabbe).  There’s a nice mix of humor and the stoicism Grey’s stories were known for, and an interesting cast.  The lady in the story is Katherine DeMille, C.B.’s adopted daughter.  There’s a nice bit with Walter Long, one of the screen’s great heavies, from BIRTH OF A NATION to Laurel and Hardy comedies.  One young, handsome cowboy is Glenn Erickson, who later changed his first name to Leif.  And speaking of changing names, star Keene, perhaps wanting to shed his B-western association, changed his name in 1944 to Richard Powers, and had a busy action career for another fifteen years.  Like all the Finders Keepers Videos, this one is $7.00  


TEXAS RENEGADES



Colonel Tim McCoy’s best pictures were behind him by the time he got to PRC, but that’s not to say there is nothing to recommend TEXAS RENEGADES.  It has an amusing premise: the folks of Rawhide are tiring of cattle rustling, and Nora Lane sends for Marshall ‘Silent’ Tim Smith to take the situation in hand.  Tim is on his way, and sees another man mistaken for him and gunned down.  Tim plants his own i.d. on the dead man, and uses a known outlaw’s named to infiltrate the gang – where he is asked to impersonate himself!  Tim has to cope with people who know who he and those who don’t, with the outlaw gang and a pack of vigilantes – who are secretly being run by the same leader. 

While it’s a big step down from the Colonel’s Columbia Pictures days, it has its moments, and it doesn’t look as impoverished as most PRC westerns – at times there are a dozen men on horses in the frame.  And there’s a nice cattle stampede through the town.  I wonder what bigger-budget movie it originally came from.  It’s directed by Sam Newfield, the first of fourteen movies he directed in 1940, and is a step above his rather low standards.  This title was long unavailable, and the film print it’s taken from is filled with vertical black-line scratches throughout, but the grey-range of the print is very good.  It’s not great, but as a fan of the Colonel, I consider it well worth seeing.   Happily, a year later, after seven PRC pics Tim moved to Monogram for his last western series, THE ROUGH RIDERS, teaming him with Buck Jones and Raymond Hatton, the best work he did after leaving Columbia.  This one is $7 from Finders Keepers Classics.  You can find them HERE. 


That’s going to have to do until next week, when I should have a review of the New Zealand western GOOD FOR NOTHING, and part two of my interview with Andrew J. Fenady.  Until then…

Happy Trails,



Henry



All Original Contents Copyright April 2012 by Henry C. Parke – All Rights Reserved