'REDEMPTION' IS HERE!

Movie Review – REDEMPTION: FOR ROBBING THE DEAD

Those who say there are only six or seven Western plots had better hold their tongues until they’ve seen REDEMPTION: FOR ROBBING THE DEAD.  They haven’t seen this one yet. Although not a traditional Western, it is a legitimate one, focusing on a lawman, an outlaw of a sort, and their relationship.  Most remarkable of all, it’s a largely true story.

In 1862, Salt Lake City lawman Henry Heath (John Freeman) follows up a complaint by a dead outlaw’s brother who, in exhuming his grave to bring the body home, finds that his brother has been buried face down and naked.  Heath, having gone to the personal expense of providing a suit for the bandit, now goes to question the grave-digger, French immigrant Jean Baptiste (David Stevens), and at his home finds the man’s brain-addled wife, and evidence suggesting that the man has robbed hundreds of graves for their clothes. 

Baptiste was involved in the recent burial of Heath’s daughter, a loss that has crushed Heath and his wife (Robyn Adamson), and Baptiste barely saves his own life by convincing Heath that his daughter was not among his victims.  Despised by a horrified community, there is no shortage of people who would gladly kill Baptiste, but his grotesque crimes are not a hanging offense, and to punish him without actually killing him, the ghoul is exiled to Antelope Island, in the center of the Great Salt Lake. 

When someone must occasionally bring provisions to the exile, the job falls upon Heath, and the simple decency he shows in his treatment of Baptiste is all that keeps the banished man alive.  It also soon makes Heath nearly as despised as his prisoner. 

REDEMPTION is a haunting and thought-provoking study of one of the strangest crimes in the history of the American West.  Writer-director Thomas Russell, a Slamdance Award-Winning screenwriter, has told the often queasy-making story with a subtle but eerie tone.  While the only truly humorous moments happen early in the film, later scenes like Baptiste’s oblique evaluation of the clothing of a group of mourners are wonderfully sinister.  And Russell has learned, as Val Lewton and John Carpenter did before him, that the unseen but alluded to crimes are much more troubling in the imagination than if they were directly shown.

The leads, though largely unfamiliar, are up to their challenges, and John Freeman is impressive as the lawman who blames his past sins for his daughter’s death.  David Stevens as Baptiste manages to bring pathos and humanity to a character that is inherently revolting.  And there are very familiar faces giving strong performances in supporting roles.   Edward Herrmann appears briefly as the Governor, and Rance Howard plays the physician who can do nothing to save the lawman’s child.  Jon Gries, creepy Uncle Rico from NAPOLEON DYNAMITE, plays a hired gun.  Margot Kidder, Lois Lane to Christopher Reeves’ Superman, is Baptiste’s ‘tetched’ but endearing wife.  The best supporting role, and performance, is by Barry Corbin, as the judge who explains why Heath must protect Baptiste, in a heartbreaking monologue.

I hesitate to say that this could be classified as a faith-based production, as I don’t mean to suggest that you should lower your expectations.  It is not a preachy movie; it’s just that some of the characters are influenced by their faith. 

The art direction and costuming by Melanie Gardner and Bree Evans bring the Utah frontier to life.  Derek Pueblo’s photography is effective whether showing gloomy interiors or startling action, like Baptiste being dragged by the collar through a cemetery to identify each grave he defiled.  But Pueblo especially excels in some of the startlingly beautiful vistas of the sky over the Salt Lake.  You can certainly understand why Brigham Young saw the Salt Lake Valley and concluded this was the place to build his city. 

REDEMPTION: FOR ROBBING THE DEAD is available now from Monterey Media.

NATIONAL DAY OF THE COWBOY A RIP-SNORTING SUCCESS!

Last Saturday, July 28^th, marked the 8^th National Day of the Cowboy, and the celebrations are getting bigger and better with every year.  Last year, Western writer J. R. Sanders convinced the Barnes & Noble in Redlands, California to sponsor READ ‘EM COWBOY, to encourage kids to read about the West.  This year there were several READ ‘EM events in California, five in Texas, and others in Wyoming, Colorado, and South Dakota!

When I went to the READ ‘EM COWBOY event at the Santa Clarita Barnes & Noble, parked in front there was Western wardrobe-designer par excellence Nudie’s customized Cadillac, pulling a wagon he’d designed for Roy Rogers: a sure sign that Julie Ann Ream, who was in charge of the store’s event, was in the building. 

Peter Ford

 

Just beyond the cash registers was a table where Peter Ford, son of stars Glenn Ford and Eleanor Powell, sat signing copies of his book, GLENN FORD, A LIFE (reviewed recently in the Round-up).  I opined that Glenn Ford was one of the screen’s great cowboy icons.  “Thank you.  A lady just came by and bought a book, and said, ‘Your father was one of the three greatest horsemen,’ in her opinion, the others being Ben Johnson and Joel McCrea.  So Dad is in very good company with those two.  He was a quick-draw with his handgun.  Born in Quebec, Canada, it’s about as far away from cowboys and horses and gunplay as you can get, but he became quite proficient.” 

Kid Reno

Farther into the store, a performance area had been set up for a succession of western music-makers.

Ralph and Geri

Ben Costello

 

On the other side of the store, just outside the speaker’s room, author Ben Costello was signing copies of GUNSMOKE: AN AMERICAN INSTITUTION, the product of five years of research and interviews (soon to be reviewed in the Round-up).  Opposite Ben, DEADWOOD regulars Ralph Richeson and Geri Jewell were sitting, Geri signing her autobiography. 

Authors Mark Bedor and Jim Christina

Peter Sherayko

The speaker’s room was filled with a number of western writers signing their books, including Mark Bedor, Jim Christina, and Peter Sherayko, whose excellent TOMBSTONE: THE GUNS AND THE GEAR and THE FRINGE OF HOLLYWOOD were recently reviewed in the Round-up.  As Julie Ann Ream emceed, a succession of Western-related folks took the microphone.  Among them were THE SEARCHERS star Lana Wood; Republic western and serial star Peggy Stewart; Julie Rogers, who talked about grandparents Roy and Dale, and modeled a Nudie skirt; and Ken Berry, who starred in F-TROOP, a delightful comedic take on the cavalry western.  “I’ve been to a couple of these evenings.  As a matter of fact, Bob Steele (Trooper Duffy) was a dear friend.  I loved Bob.  And I went to an evening that was especially fun; Gene Autry was there.  And I’ve met Roy Rogers and Dale Evans.  They meant a lot to me, too.” 

Lana Wood

Peggy Stewart

Julie Rogers

Ken Berry

The very busy Martin Kove, a popular villain and hero, made a splash in CAGNEY & LACEY, and the RAMBO and KARATE KID films.  But his earliest credits include GUNSMOKE and THE WHITE BUFFALO, with Charles Bronson, and westerns have a special place in his heart.  “I was all the way in Beverly Hills, actually.  I said, do I want to show up?  But my commitment is to the rejuvenation  of the west, and trying to do as many westerns (as I can), trying to get our heritage back on track, so kids can remember what it was like when they saw a western, and the values of the western.  So I said, I’ve got to show up; the same reason you beat yourself to death trying to get a western financed; it’s a great uphill battle.  I think from 1920 to 1967, one of every three movies made in Hollywood was a western.  So it’s kind of an over-exposed genre.  I really care about the genre, and the future of it, and I don’t want it to disappear.  This is an indelible part, this National Day of the Cowboy, to keep it alive.”  I asked him about his most recent western project.  “I’m doing an internet series called SIXGUN SAVIOR, (a supernatural western).  I’m going to do a 1950s oil story, called THE FALCON’S SONG.  I leave in about two weeks to go to Montana.”  

Martin Kove

While a group was heading to the local Baja Fresh for lunch – Baja, like the local Ben & Jerry’s, were contributing a portion of the day’s sales to the NDOC – I drove over to the Autry to see how their celebration was going.  There was continuous entertainment in the courtyard, with square-dancing, music by bands like Triple Chicken Foot, and Miss Devon & The Outlaw.  Famed champion gunslinger Joey Dillon was back with his flashing .45 Colt single-actions, and nearby some kids were hammering designs in leather, while others were learning to toss a lariat.  The Wells Fargo Theatre was packed with Saturday matinee fans watching episodes of THE GENE AUTRY SHOW. 

Joey Dillon and a volunteer

Hurry up, kid!   There's a line for that horse!

Curator Jeffrey Richardson

Rarely seen quarter horse!

The gold-panning operators were doing a land-office business, and throughout the museum, docents were giving history demonstrations.  I ran into Jeffrey Richardson outside of the wonderful Colt Gallery, which he curated.  He told me the life-sized Gunfight at the O.K. Corral diorama would soon be closed to make way for an expansion of the gun collection.  I asked him about the importance of the National Day of the Cowboy at the Autry.  “One of the things we like to do here at the Autry, on the Day of the Cowboy and everyday, is let people know that, despite depictions in popular entertainment, cowboys were a really diverse group. It’s a day when people can come and explore the rich history of the American west, specifically seen through the eyes of one of the truly iconic figures of (our) history the American cowboy.”

Meanwhile, J.R. Sanders’ READ ‘EM COWBOY event at the Redlands Barnes & Noble and Starbucks, brought thirteen western authors, had plenty of entertainment for young and old, and featured a Young Writers Cowboy Fiction Contest.

Authors Chris Enss, Nicholas Cataldo and Paige Peyton

Young Writers Cowboy Fiction contest winners, with Jim Meals and J. R. Sanders

One of the very interesting out-of-California events was CRAZY DAYS, at Belle Fourche, South Dakota, the setting for the end of the classic John Wayne western THE COWBOYS (they actually shot it in New Mexico and L.A., but Belle Fourche is where the story is set).  Marking the 40^th anniversary of the film’s release, Belle Fourche welcomed five of the original COWBOYS from the cast: Nicolas Beauvy (Dan), Al Barker Jr. (Fats), Steven Hudis (Charlie Schwartz), Sean Kelly (Stuttering Bob), and Steve Benedict (Steve).  Last week’s Round-up featured an interview with Nic Beauvy about the making of THE COWBOYS, and I called him this afternoon to find out how Belle Fourche worked out. 

“Bell Fouche was wonderful!  It was a treat to see the other COWBOYS, and everybody had a good time: we were treated like movie stars.  It was the first time in forty years I’d seen (them).  Everyone was eager to sign autographs and feel important and to know that you were in a movie that people loved.  It’s so revered over there: it’s like GONE WITH THE WIND in the Midwest.  The people who are fifty, sixty years old now, who were kids when the movie came out, they loved the movie so much that they’ve turned their children on to it.  So I met kids who were 8 years old, 12 years old, 15 years old who have seen the movie many, many times, and know it inside and out.  Because their parents love it.   

“It was just a great experience for me in that I met real Midwestern American people.  You know, coming from Los Angeles you don’t meet too many people like that.  They leave the keys of the car in the ignition.  They don’t lock their doors at night.  It’s a different way of life, not such a complicated life.  In some ways they enjoy life a lot more.  It’s beautiful to be around people like that.”  Like cowboys.

RUSSELL CROWE TO REPLACE JAVIER BARDEM IN ‘DARK TOWER’

"Take that, Javier!"

Work comes from Deadline: Hollywood that Akiva Goldsman has delivered to Warner Brothers a draft of the script for the first part of Stephen King’s THE DARK TOWER, a sci-fi Western.  Based on eight books by King, the project is planned as three theatrical features and two TV miniseries.  Dropped by Universal when it got too expensive, Warners currently has the option, and should decide whether or not to proceed within the next two weeks.     

Imagine Films director Ron Howard and producer Brian Grazer, the team that won Oscars for A BEAUTIFUL MIND, are at the helm, and Howard is no stranger to the Western form, having starred in THE SHOOTIST before directing FAR AND AWAY and THE MISSING.  Javier Bardem, long attached to the project, is no longer, and the talk is that GLADIATOR Oscar winner and A BEAUTIFUL MIND star Russell Crowe will portray gunslinger Roland Deschain.  Crowe has previously ridden the range in THE QUICK AND THE DEAD and 3:10 TO YUMA. 

SPAGHETTI WESTERNS UNCHAINED CONTINUES AT EGYPTIAN

On Wednesday, August 8^th it’s TEPEPA with Tomas Milian and Orson Welles and YANKEE.  On Thursday THE RUTHLESS FOUR, with Van Heflin, Gilbert Roland and Klaus Kinski, with REQUIESCANT.  On Friday, Sergio Corbucci’s COMPANEROS, with Franco Nero and Tomas Milian, with THE PRICE OF POWER, with Fernando Rey and Van Johnson.  Then Saturday, The Main Event: Corbucci’s DJANGO!  Starring Franco Nero, and Lee Van Cleef in THE GRANND DUEL.  Sunday it’s DJANGO KILL…IF YOU LIVE, SHOOT, and Corbucci’s HELLBENDERS, starring Joseph Cotten. 

That's it for this week!  Sorry I'm posting on Monday morning rather than Sunday night, but I lost the internet at midnight.  On the plus side, I got more sleep than I usually do on a Sunday night.

Have a great week!

Happy Trails,

Henry

All Original Contents Copyright August 2012 by Henry C. Parke -- All Rights Reserved

RON HOWARD TO DIRECT ‘DOC’ FOR HBO

According to Nellie Adreeva at Deadline TV, Ron Howard will direct the pilot for the proposed series about the Wild West’s favorite dentist, Doc Holliday, inspired by the book DOC by Mary Doria Russell. Howard’s credentials in Westerns are pretty-near unmatched these days: before the camera from GUNSMOKE to THE SHOOTIST, and behind it from FAR AND AWAY to THE MISSING. It’ll be produced by frequent Ron Howard and Imagine Film collaborator, producer Akiva Goldsman, and is the first project in a two-year exclusive deal between Goldsman and HBO.  In addition to being a very successful producer, Goldsman is a fine screenwriter, who scripted DAVINCI CODE, CINDERELLA MAN, and won his Oscar for writing A BEAUTIFUL MIND.

DOC will be scripted by Adam Cooper and Bill Collage, who co-wrote ACCEPTED and the story for TOWER HEIST.   Among co-producers will be Ron’s dad Rance Howard, along with Rance’s wife Judy Howard.

Reportedly the series will be soft-pedaling the ‘lunger’ aspect of Holliday’s life, although he’ll be presented as a well-educated professional from the South, moved to the West for his health, and there will be a romantic triangle involving himself, his 'wife', Big Nose Kate Elder, and his friend Wyatt Earp.

SONY TV TO REFIGHT CIVIL WAR IN ‘TO APPOMATTOX’ MINI

In 2013, Sony Television will be presenting an eight-hour miniseries about the Civil War, focusing on the generals on both sides.  And what a cast they have: Michael C. Hall (DEXTER) as U.S. Grant, William Petersen (CSI) as William Tecumseh Sherman, Will Patton as Robert E. Lee, Rob Lowe as James Pete Longstreet, Stephen Lang (Ike Clanton in TOMBSTONE and Pickett in GETTYSBURG) as Abraham Lincoln, Kim Delaney as Mary Todd Lincoln, Bill Paxton as Stonewall Jackson, D.B. Sweeny as George Mclellon, Noah Wylie as George Pickett, Trace Adkins as John Gregg, Dwight Yoakam as George Meade, Powers Boothe as Albert Sidney Johnson, Walton Goggins as Richard Ewell, Kix Brooks (of Brooks and Dunn) as Winfield Scott Hancock, and many more.

Not unusual for a Western-ish show, a number of country music stars will be playing roles.  In addition to Yoakam, Adkins and Brooks, the members of Rascal Flatts, who will be doing the score, will be acting as well.  Very unusual, in a bid to make the project more accessible to a general audience, several NASCAR stars will be playing parts. 

Produced by Thomas Augsburger, Mikael Salomen, and Michael Frost Beckner, Salomen will additionally be directing, and Beckner wrote the script; I’m told this project has been his primary focus for nine years.  I’ll have more details soon.

WEB SERIES ‘WESTERN X’ #1-6 ONLINE

By far one of the most ambitious webisode productions I’ve seen, WESTERN X, the creation of Michael Flores, is available online through Youtube and ITunes, and tells its story in six-minute ‘bites’.  Chapter #7 is coming soon, and I believe the whole will be fifteen chapters.  Shot in striking desert locations and Western towns, its hero is named X because he awakens after a beating, not knowing where he is or who he is. 

I’ve seen the first six chapters, and they are beautifully produced, with eerie music, striking editing and often beautiful photography.  But they’re heavy on atmosphere and light on plot – there’s a lot going on at times, but while I assume it will all become clear down the line, for the time being, much of it is incomprehensible.  But it’s certainly worth a peek.  Here’s the official website link:  http://www.westernxtheshow.com/index.html

And here’s chapter one:  http://youtu.be/6ucb7rX2DqA

TIME STRETCHES IN TOMBSTONE – THE BIRD CAGE THEATRE

In September my wife and I spent a week in and around Tucson, one of those days in the fabled Tombstone.  It’s an odd place, not a ghost town in the usual sense, but a far cry from the activity that once filled its streets and saloons and brothels. 

The people that live in Tombstone today are immersed with the brief but remarkable history of the town when it was at its most active, in the years between 1881 and 1889, the years the silver mines were producing, before uncontrollable water seepage flooded the mines, and all but drowned the town too tough to die.

(Bird Cage Theatre 1932, by Frederic Nichols)

Among the many fascinating places to visit is one that is unique: The Bird Cage Saloon.  While most other attractions – The Crystal Palace, O.K. Coral, Tombstone Epitaph – have been lovingly restored to how they once were, or should have been, the Bird Cage has been the beneficiary of benign neglect: when it closed its doors in 1889, those doors literally remained closed for nearly half a century.  It was declared a landmark in 1934, and opened to the public, as is.  Some historical displays have been added, but no interior decorator has come after-the-fact to fix it.  Ancient posters for vaudeville acts that once played the theatre adorn the lobby.  A favorite is for the woman who, with magnets on her shoes, danced on the theatre’s ceiling.

(Note the boxes along the balcony)

From the day it opened, The Bird Cage Theatre never closed until it closed for good nine years later.  It took $1000 to buy into its poker game, and that game ran continuously for eight years, five months and three days.  The movie TOMBSTONE did a marvelous job of reproducing both the exterior and interior of the Bird Cage for the memorable scenes where Wyatt and Doc and their wives (we’re giving Big Nose Kate the benefit of the doubt) watch a theatrical performance from one of the boxes on the balcony.  But the filmmakers took one liberty here, because those boxes in fact contained not chairs but a bed: they were cribs, so prostitutes and johns could do their business and still enjoy the show onstage!

(The stage, small open doorway on left)

The small door below and to the left of the stage leads to the wine cellar, and the high-stakes poker game, and a little farther and to the left, more cribs, including the one where Wyatt Earp would visit Sadie Marcus, who became his third wife. 

(Sadie Marcus' crib)

On the stage, behind the curtain, are stored all manner of knick-knacks, among them a beautiful and much-used hearse, and to its right, one of those elegant caskets with the glass window of the sort that Billy Clanton and Tom and Frank McClaury were famously pictured in.  There is disagreement as to how many people died in the Bird Cage.  It’s been claimed that it was the site of sixteen gunfights, that twenty-six people were killed there, and there is no argument that 140 bullet holes pepper the walls and ceilings.  One of the documented murders took place when a girl whose hair-color had given her the nickname Gold Dollar, saw a Mexican girl known only as Margarita, sitting on the lap of one Billy Milgreen, one of Gold Dollar’s regulars: Gold Dollar stabbed Margarita to death. 

As is common in places where death is so common, the Bird Cage Theatre is said to be haunted.  The young woman who was running the gift shop by the exit told us that the first day she worked there, someone grabbed her arm, but when she turned, there was no one there.  She ran home, and didn’t come back for several days, then decided to give it another chance.  Since then, she’s frequently felt a presence, but nothing has touched her.

(Tombstone prostitute's license -- $7.50 for one year)

Described by the New York Times in 1882 as, "...the roughest, bawdiest and most wicked night spot between Basin Street and the Barbary Coast," it also attracted some of the top talent of its day.  Eddie Foy, Ethel Barrymore, Lotta Crabtree, Lily Langtry and Lola Montez are among the many performers reported to have trod the boards there.  It’s also said that it was the inspiration for the hugely popular song, ‘She Was Only A Bird In a Gilded Cage,’ by Arthur Lamb and Harry Von Tilzer, who cleaned up the lyrics to make it about a woman who married for money, not love, instead of the soiled dove it originally extolled. 

(View of the theatre from backstage)

I’ll be writing more about the town of Tombstone, and Tucson, soon. 

TV WESTERNS ALL OVER THE DIAL!

More and more, classic TV Westerns are available all over the TV universe, but they tend to be on small networks that are easy to miss. Of course, ENCORE WESTERNS is the best continuous source of such programming, and has been for years. It’s not in my current satellite package, which is why I often forget to mention it, but currently they run CHEYENNE, MAVERICK, LAWMAN, THE VIRGINIAN, WAGON TRAIN, HAVE GUN WILL TRAVEL, GUNSMOKE, BRET MAVERICK, CIMMARON STRIP, and HOW THE WEST WAS WON. (I’d get it in a minute, if I didn’t have to buy a huge package of STARZ and ENCORE channels just to get the one!)

But there are several new, or at least new-to-me, channels showing sagebrush fare. GEB, which stands for Golden Eagle Broadcasting, is largely a religious-programming cable outlet that runs at least one Western on Saturdays – the ones I’ve caught have been public domain Roy Rogers and John Wayne pictures – and sometimes have weekday afternoon movies as well.

For those of you who watch TV with an antenna, there are at least a couple of channels that exist between the standard numbers – largely unavailable on cable or satellite systems – that provide Western fare. ANTENNA TV is currently running RIN TIN TIN, CIRCUS BOY, HERE COME THE BRIDES, and IRON HORSE.

Another ‘in between’ outfit, ME-TV, which stands for Memorable Entertainment TV, runs a wide collection: BIG VALLEY, BONANZA, BRANDED, DANIEL BOONE, GUNS OF WILL SONNETT, GUNSMOKE, MARSHALL DILLON (the renamed black and white GUNSMOKE), RAWHIDE, THE RIFLEMAN, and WILD WILD WEST. Some of these channels are hard to track down, but if they show what you’ve been missing, it’s worth the search. 

TCM FANATIC - WESTERN NOW ONLINE!

That's right, the segment I was interviewed for is now viewable here:

THE AUTRY NATIONAL CENTER

Built by cowboy actor, singer, baseball and TV entrepeneur Gene Autry, and designed by the Disney Imagineering team, the Autry is a world-class museum housing a fascinating collection of items related to the fact, fiction, film, history and art of the American West. In addition to their permenant galleries (to which new items are frequently added), they have temporary shows. The Autry has many special programs every week -- sometimes several in a day. To check their daily calendar, CLICK HERE. And they always have gold panning for kids every weekend. For directions, hours, admission prices, and all other information, CLICK HERE.

HOLLYWOOD HERITAGE MUSEUM

Across the street from the Hollywood Bowl, this building, once the headquarters of Lasky-Famous Players (later Paramount Pictures) was the original DeMille Barn, where Cecil B. DeMille made the first Hollywood western, The Squaw Man. They have a permanent display of movie props, documents and other items related to early, especially silent, film production. They also have occasional special programs. 2100 Highland Ave., L.A. CA 323-874-2276. Thursday – Sunday 12 p.m. to 4 p.m. $5 for adults, $3 for senior, $1 for children.

WELLS FARGO HISTORY MUSEUM

This small but entertaining museum gives a detailed history of Wells Fargo when the name suggested stage-coaches rather than ATMS. There’s a historically accurate reproduction of an agent’s office, an original Concord Coach, and other historical displays. Open Monday through Friday, from 9:00 a.m. to 5:00 a.m. Admission is free. 213-253-7166. 333 S. Grand Street, L.A. CA.


FREE WESTERNS ON YOUR COMPUTER AT HULU

A staggering number of western TV episodes and movies are available, entirely free, for viewing on your computer at HULU. You do have to sit through the commercials, but that seems like a small price to pay. The series available -- often several entire seasons to choose from -- include THE RIFLEMAN, THE CISCO KID, THE LONE RANGER, BAT MASTERSON, THE BIG VALLEY, ALIAS SMITH AND JONES, and one I missed from 2003 called PEACEMAKERS starring Tom Berenger. Because they are linked up with the TV LAND website, you can also see BONANZA and GUNSMOKE episodes, but only the ones that are running on the network that week.

The features include a dozen Zane Grey adaptations, and many or most of the others are public domain features. To visit HULU on their western page, CLICK HERE.

BONANZA and BIG VALLEY

Every weekday, TV LAND airs a three-hour block of BONANZA episodes from 11:00 a.m. to 2:00 p.m. They've stopped running GUNSMOKE.  INSP is showing THE BIG VALLEY every weekday at noon, one p.m. and nine p.m., and Saturdays at 6 p.m., and have just added DR. QUINN, MEDICINE WOMAN to their schedule.

NEED YOUR BLACK & WHITE TV FIX?

Check out your cable system for WHT, which stands for World Harvest Television. It's a religious network that runs a lot of good western programming. Your times may vary, depending on where you live, but weekdays in Los Angeles they run DANIEL BOONE at 1:00 p.m., and two episodes of THE RIFLEMAN from 2:00 to 3:00 p.m.. On Saturdays at 2:00 p.m. it's THE RIFLEMAN again, followed at 2:30 by BAT MASTERSON. And unlike many stations in the re-run business, they run the shows in the original airing order. There's an afternoon movie on weekdays at noon, often a western, and they show western films on the weekend, but the schedule is sporadic. 

AMC has been airing a block of THE RIFLEMAN episodes early Saturday mornings, usually followed by Western features.

And RFD-TV is currently showing THE ROY ROGERS SHOW at 9:30 Sunday morning, repeated several times a week, and a Roy feature as well -- check your local listings.

That's about all for now!

Hope you had a great Thanksgiving.

Happy Trails,

Henry

All Original Contents Copyright November 2011 by Henry C. Parke -- All Rights Reserved