UPDATED 10:11 AM 2-16-18 -- SEE 'LOS ANGELES ITALIA FESTIVAL'
ARNOLD SCHWARZENEGGER TO STAR IN WESTERN ‘OUTRIDER’
ARNOLD SCHWARZENEGGER TO STAR IN WESTERN ‘OUTRIDER’
Okay, he’s not the King
yet, but maybe the Kaiser of the Cowboys? The body-building champ, movie star
and former Governor of California, whose only previous Western was Hal
Needham’s 1979 comedy THE VILLAIN -- in which he played Handsome Stranger to
Ann-Margaret’s Charming Jones, and Kirk Douglas’s Cactus Jack -- will be heading
to the Amazon West, to star in the series OUTRIDER, for Producer Mace Neufield,
who previously produced GODS AND GENERALS.
Set in the late 1800s,
when Oklahoma was still Indian Territory, the story centers on a deputy
assigned to capture a famous outlaw, with the help of a ruthless Federal
Marshal (Schwarzenegger). As the tale progresses, alliances will shift, and the
demarcation between hero and villain will be obscured. The show will be co-written and exec-produced
by Trey Callaway and Mark Montgomery.
‘WESTWORLD’ RETURNS IN
APRIL!
As Superbowl fans learned
last Sunday, WESTWORLD will be starting its second season, on HBO, on April 22nd.
The teaser trailer, seen below, doesn’t give too much story away, but it does
confirm that it will be a western
WESTWORLD, not the eastern Samurai variation last season’s ending hinted at (Whew!). As with season one, HBO remains
tight-lipped. So fasten your seatbelts!
AUTRY ‘SERGEANT RUTLEDGE’
SCREENING 2/17 INTRO’ED BY ‘LEFTY BROWN’ DIR.
As part of the Autry’s
long-running ‘What is a Western?’ film series, they will be screening John
Ford’s classic Western courtroom mystery, 1960’s SERGEANT RUTLEDGE.
Tremendously daring for its subject matter even today, and one of the high
points of Woody Strode’s career. He star as a Buffalo Soldier on trial for the
rape and murder of a white child. The film also stars Constance Towers and
Jeffrey Hunter. I wrote an article on
RUTLEDGE, and other Buffalo Soldier films, for True West Magazine, and had the
privilege of speaking to both Ms. Towers, and Olympic Decathlon Gold Medalist
Rafer Johnson, who played a Buffalo Soldier in the film. To read ‘Ford Set The
Bar High’, click HERE. The film will be
introduced by Jared Moshé, director of the current Western THE BALLAD OF
LEFTY BROWN. The program in the Wells Fargo Theatre begins at 1:30 pm, and
admission is free with your museum admission.
‘L.A. ITALIA FESTIVAL’
FEB. 25TH!
UPDATED 10:12 AM 2-16-18 -- DIRECTOR/STAR RICHARD HARRISON WILL INTRODUCE HIS FILM 'TWO BROTHERS IN TRINITY'
UPDATED 10:12 AM 2-16-18 -- DIRECTOR/STAR RICHARD HARRISON WILL INTRODUCE HIS FILM 'TWO BROTHERS IN TRINITY'
In two weeks the L. A.
Italia Festival, the 13th annual celebration of Italian culture and
especially Italian cinema, will begin on Sunday, February 25th, at
the Chinese 6 Theatres in Hollywood,
and run for a week, through Saturday, March 3rd, Oscar eve. This
year’s festival will be dedicated to legendary Italian directors Franco
Zeffirelli and Lina Wertmuller. There
are screenings of dozens of Italian movies, both new and classics, all free, on
a first come, first seated basis. There are also special programs that require
reservations, and the red carpet is often packed with stars. The schedule of
films was announced last night, and there is just one Italian Western on the
bill. On Saturday, at 4:50 pm, TWO BROTHERS IN A PLACE CALLED TRINITY, starring
Richard Harrison, will be screened. The program notes, “Harrison wrote,
produced and directed the film, and understandably, it is his personal favorite
among the Italian westerns he appeared in.” It doesn’t say whether or not
Harrison will attend; I’ll try to find out. To find out about all of the films
being screened, and their times, go HERE.
TCM FESTIVAL – LOOKING
FORWARD AND BACK
I was surprised to find this shot of me and Shirley
Jones on the Red Carpet at the TCM site!
The annual TCM Classic
Movie Festival returns to the Chinese Theatre Complex and elsewhere around
Hollywood, starting April 26th, and running through the 29th.
This year’s theme will be that all-too-often ignored aspect of movies, the
written word. According to TCM, “From original screenplays to unique
adaptations to portrayals of writers real and imagined, we will celebrate the
foundation of great film: the written word.”
The Fest will open with a screening at the Chinese IMAX of THE
PRODUCERS, with writer/director Mel Brooks attending. Other guests already
announced include writer/director Robert Benton, and actress Marsha Hunt.
Dick Cavett introducing a film
Last year, although the
number of Westerns featured was small, what there was, was choice. DAWSON CITY –
FROZEN TIME is a fascinating documentary by Bill Morrison. A boomtown in the
heart of the Yukon Gold Rush that started in1898, Dawson’s movie theatres were
not only the hub of entertainment, they were the end of the line for movie
prints that had made their way around the world. In 1978, a construction crew bulldozed
an old sports club, and found hundreds of reels of film buried, some of them
preserved, in the permafrost, most of them films thought to be lost forever.
And that’s only the beginning of the story. The film is available from
Kino-Lorber.
A frame from POLLY OF THE CIRCUS (1917)
partly decomposed, from DAWSON CITY
1952’s THOSE REDHEADS
FROM SEATTLE was re-premiered at the Fest, not just restored, but seen in 3-D
for the first time since its release. This lively movie from Paramount’s famous
‘Dollar Bills’, Bill Pine and Bill Thomas, was the first 3-D musical. It stars
Gene Barry, Rhonda Fleming, Agnes Moorhead, and a bevy of singers and dancers,
including the Bell Sisters, one of whom, to the audience’s delight, attended.
It tells the story of a family of women that head to -- you guessed it -- Dawson
City during the Gold Rush to be entertainers. This one is also available from
Kino-Lorber. With their story overlap, I’m surprised REDHEADS and DAWSON aren’t
offered as a set.
Paramount Studio Head Archivist
Andrea Kalas presented a talk, and clips from dozens of Republic Pictures in
all imaginable genres. Paramount has acquired the entire Republic Library
(minus, I assume, Gene Autry’s films, as he acquired all of them), and have for
seven years been restoring them at the rate of 100 a year. Needless to say,
this left all the Western fans in attendance salivating, but at the moment, no
definite plans for releasing the films has been announced.
Peter Bogdonovich and Illeana Douglas
And speaking of things
not yet announced, thus far only eighteen films have been announced for this
year’s Fest, and there’s not a Western in the bunch. But last year they showed
83 films, so there’s plenty of space to squeeze in some oaters. Stand by for
updates as we get closer to the event.
SPEND ST. PATRICK’S DAY
WITH KENT MCCRAY!
Kent McCray with High Chaparral stuntwoman
Jackie Fuller
On Saturday, March 17th,
Kent McCray, who produced or production-managed BONANZA, THE HIGH CHAPARRAL,
and THE LITTLE HOUSE ON THE PRAIRIE, will be au the Autry, speaking about his
career, and signing his new autobiography, KENT MCCRAY: THE MAN BEHIND THE MOST
BELOVED TELEVISION SHOWS. A Q&A will be hosted by Dean Butler, who played
Almanzo Wilder on LITTLE HOUSE, and other guests from McCray shows are
expected. In addition to his extensive Western work, McCray spent years
managing Bob Hope’s travels to entertain our troops around the globe. His
friendship with Michael Landon, developed on the BONANZA set, led to a
producing partnership on LITTLE HOUSE and HIGHWAY TO HEAVEN.
My next Round-up will
feature an interview with McCray. And HERE is a link to the current True West Magazine, about McCray’s
recent celebration of HIGH CHAPARRAL’s 50th Anniversary.
TWO-GUN HART – BY JEFF
McARTHUR
A Book Review by Henry C.
Parke
It’s not so surprising
that a young man’s early association with Western actor William S. Hart would
inspire him to become a real-life western lawman. It’s not the first time a man
changed his name in tribute to his idol – magician Eric Weiss dubbed himself
Harry Houdini after French illusionist Robert-Houdin. The stunner is the name
that he changed: lawman and prohibition agent Richard ‘Two-Gun’ Hart had been
Christened in Sicily as Vicenzo Capone, and his brother, Al Capone, would make
quite a name for himself on the other side of the law!
Jeff McArthur tells a
fascinating, and entirely fresh, story of a man who reinvented himself totally,
yet could never totally escape his family’s influence. Hart was a remarkable
complex man, and his successes and struggles throughout the Great Depression
are, by turns, inspiring and infuriating.
As a teenager, I was
obsessed with Depression-era gangsters, and I devoured every word I could find
on Al Capone. There is more information on the life of Scarface Al, and insight
into his character and personality here, than I have ever seen before, and with
a good reason. For the first time, the Capone family has opened up to an
author, and granted unprecedented access to MacArthur.
Whether your interest is
in lawmen, criminals, or simply humanity, you will be astonished. TWO-GUN HART
is published by Bandwagon Books.
HEAVIES PLAY HEROES IN
ALPHA RELEASE
Tom Tyler had a few standout
sympathetic roles, as Captain Marvel in the Republic serial, and as Stony
Brooke in some of the THREE MESQUITEERS entries. But most of his other
outstanding, and best remembered roles were villains: Luke Plummer, the man who
killed John Wayne’s brother in 1939’s STAGECOACH; King Evans in William Wyler’s
THE WESTERNER (1940); and as the seemingly soulless gunman in POWDERSMOKE RANGE
(1935). Likable, strong-jawed Kermit Maynard was as good an actor, and
handsomer, than his superstar brother Ken Maynard, but no one else could do
what Ken could with a horse. Kermit played countless drovers and henchmen and stagecoach
drivers. But once in a blue moon, these
supporting players got a chance to shine, and in a new double-bill from Alpha
Video, each man proves that he could carry a movie on their own.
In RIDIN’ THRU (1934),
Tom Tyler and sidekick Ben Corbett come to the aid of a
rancher-turned-dude-rancher friend whose horses are being rustled, and
determine they’re being led away by a mysterious white stallion. In FIGHTING
TROOPER (1934) Kermit Maynard stars as a Mountie sergeant whose superior, and
personal antagonist, is murdered. While undercover, investigating a likely
suspect, fur trapper LeFarge (LeRoy Mason), he grows to suspect LeFarge is
being framed.
Also from Alpha is the long-thought-lost
B Western DESERT MESA (1935), starring Wally West, a stuntman-turned-actor who
pretty quickly turned back to stuntman. It's a story about two men, West and an old
rancher (William McCall), whose paths cross as both seek the same man, who
ruined their lives by killing West’s father and McCall’s wife. Not a great
movie, but a surprisingly good print, it’s curious to note that as late as
1935, some poverty row Westerns felt almost like silents, between the stilted
performances and West’s mascara. One of the more natural performances, as an
unbilled sidekick named Art, is the film’s producer and director Art Mix, real
name Victor Adamson, who was sued by Tom Mix to stop borrowing his last name. It’s double billed with THE TEXAS TORNADO,
aka RANCH DYNAMITE, from 1932, starring Lane Chandler as a Texas Ranger who
takes on the identity of a Chicago gangster to infiltrate a gang. Master
stuntman Yakima Canutt plays a henchman, and does stunt doubling in the
spirited fights. It’s written and directed by Oliver Drake, who decades later
would co-author Canutt’s excellent autobiography, STUNTMAN.
…and that’s a wrap!
For your amusement, here
are a few not quite 2” by 3” Swedish gum cards. My favorite is the one that
identifies our most decorated soldier of World War II, and a fine Western
actor, as Audrey Murphy. Things get lost in translation.
In the next Round-up,
I’ll have my interview with Kent McCray, and a look at two upcoming Spaghetti Westerns from the folks who brought you 6 BULLETS TO HELL! And I’ll be updating this Round-up as
titles become available for the TCM Classic Movie Festival.
Happy Trails!
Henry
All Original Contents
Copyright February 2018 by Henry C. Parke – All Rights Reserved
Great info and articles as always, Henry.
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