Mini-Series Review – HATFIELDS & MCCOYS
HATFIELDS & MCCOYS is the History Channel’s first
dramatic production, and it would be hard to find a more dramatic subject than
the infamous feud that festered and sporadically exploded for twenty-five years
along the Tug Fork
River which separates Kentucky and West
Virginia .
Starting on Memorial Day and continuing for the next two nights, it is
an engaging, entertaining, and occasionally horrifying study of two families
bent on mutual destruction.
Kevin Costner as Devil Anse Hatfield
Though shot in Romania and Transylvania, there is nothing
that gives it away as not being a stateside production, and the green hills and
thick forests stand in admirably for the Kentucky and West Virginia
back-country. Polish cinematographer Arthur
Reinhart, who previously collaborated with director Kevin Reynolds on TRISTAN +
ISOLDE, reveals beauty in fields and tumbling shacks; and lurking fear in
misty, mazelike forests.
Hatfield Family Portrait
In trying to elevate the feud to the level of Shakespearean
tragedy, it makes kings of the tale’s two patriarchs, Devil Anse Hatfield
(Kevin Costner) and Randall McCoy (Bill Paxton). After a brief but exciting Civil War
sequence, the Confederate neighbors meet on the battle-field, each demonstrating
bravery, yet their differences are quickly revealed: McCoy pledges his
allegiance to his God and his country above all else. Hatfield scoffs at religion and feels
allegiance only to his family and himself.
Seeing the war is about to end, and against their side, Hatfield has no
qualms about deserting, to get back to his family and get a leg up on
Reconstruction. McCoy has the chance to
put a bullet in what he considers a man without honor, but does not. It is a decision he will regret to the end of
his days.
Bill Paxton as Randall McCoy
Every ‘period’ movie reflects both the time it portrays and
the time in which it was made, and HATFIELDS & MCCOYS balances those times
very well. Beyond minor points like the
ability to say ‘bullshit’ in a TV show, the current permissiveness allows a
plot element which could never have been portrayed before: one of the early
insults that sets the feud in motion is the suggestion that one of the
principals has a carnal relationship with his dog! But even more remarkable today is that this
modern production convincingly portrays a time when shame had meaning; when a
young woman who had spent a night, unchaperoned, away from her father’s home
was ‘ruined,’ and unlikely to ever be married.
McCoy Family Portrait
The women who stand by their men are Sarah Parish as Levicy
Hatfield and Mare Winningham as Sally McCoy, Mare having the more involved –
though unenviable – role, and they are both sympathetic and tragic. The young lovers are Matt Barr as Johnse
Hatfield and Lindsay Pulsipher as Roseanna McCoy, and they are utterly
convincing as a pair whose youthful self-centeredness puts so much horror in
motion. Yet they are likeable kids, and
victims of the malignant forces that surround them.
While the leads must be stoic, the most showy roles are a
group of loose cannons who manipulate the feud to further their own ends, and
they are generally the most fun to watch.
Ronan Vibert plays Perry Kline, a McCoy cousin and would-be slick lawyer
who endlessly muddies the waters while trying to get the McCoys ‘justice.’ Lovely Jena Malone plays Nancy McCoy, a heartless
tramp whose jealousy leads to more than one death. Andrew Howard is ‘Bad’ Frank Phillips, former
Pinkerton, now a bounty hunter for the McCoys, and trying to get a controlling
interest in the family. Most unexpected
of all is Tom Berenger as Hatfield cousin Jim Vance. All but unrecognizable, with a paunch and a
wreath of dense whiskers, the obnoxious, brutal and irresponsible Vance is
easily the single most to-blame character in the story.
Also cast against western-type is Powers Boothe, as Judge
Valentine Wall Hatfield. Usually seen as
a swine in shows like TOMBSTONE
and DEADWOOD, here he is the long-suffering, and rarely listened to, voice of
reason.
It is a strong ensemble cast, and tying it together are the
performances of Costner and Paxton. As
the feud drags on year after year, with both men surrounded by death, and neither seeing himself getting closer to his
goals, Costner becomes more glum and removed, while Paxton veers ever closer to
breakdown. Kevin Reynolds, who
previously directed Costner in ROBIN HOOD: PRINCE OF THIEVES and WATERWORLD,
and screenwriters Bill Kerby, Ted Mann and Ronald Parker, give human form and
dignity to these real men and woman who have usually been portrayed as mindless
subhuman hillbillies whose slaughter was comic rather than tragic.
If there is a downside to the project, it is that it takes three
nights to tell a story that often lacks anyone to root for. There were a couple of battle scenes towards
the end where I realized that, well presented though they were, I didn’t care
which side won; I just didn’t want too many people to die. It would be ‘neater’ to have one, not two,
Shakespearean tragic heroes, and with only one fatal flaw. But the truth is usually not neat, and what
we have in HATFIELDS & MCCOYS is probably closer to the truth than any
previous portrayal. I found it mostly
fascinating.
8 MINUTES OF
‘DJANGO UNCHAINED’ SCREENED AT CANNES
AMIDST CAST MUSICAL CHAIRS!
Among the actors
glimpsed is the long rumored but never confirmed original Django, FRANCO NERO!
Although 62 additional days of shooting are scheduled, producer Harvey
Weinstein screened a reel of scenes from
Tarantino’s film, which is planned for a Christmas release. Also seen in clips are Jamie Foxx as Django,
plus Christoph Waltz, Don Johnson, Kerry Washington and Leo DiCaprio.
Noticeably absent were Joseph Gordon-Levitt and Sacha Baron Cohen, who were
to play brothers, and Kurt Russell. Gordon-Levitt
ankled a month ago, and Cohen bowed out saying he had to work full time promoting
THE DICTATOR (also known as throwing good money after bad).
More surprising is that Kurt Russell, who acted for Tarantino previously in
KILL BILL VOL. 2 and the DEATH PROOF segment of GRINDHOUSE, is abandoning the
role of Ace Woody, a fight trainer of slaves at Leo DiCaprio’s MANDINGO-style
casino-brothel-plantation. Ironically,
Ace Woody was originally announced to be played by Kevin Costner, who then
backed out to do HATFIELDS & MCCOYS (see the review above). But wait; there’s more irony. Kurt Russell previously replaced Kevin
Costner for Tarantino when Kevin backed out of DEATH PROOF at the last
minute.
JUSTIFIED villain Walton Goggins has a nice if small role in
the picture, and the talk (at Ain’t It Cool?) is that his character may be built
up to take on a lot of the Ace Woody action.
NATALIE PORTMAN SIGNS TO STAR IN WESTERN ‘JANE GOT A
GUN.’
Natalie Portman in COLD MOUNTAIN
Per the Hollywood Reporter, CAA is busily packaging the film
at Cannes . It’s based on the original screenplay by
first timer Brian Duffield, and was a highly touted ‘Black List’ script. (Note: this ‘Black List’ has nothing to do
with politics. It is a list of highly
respected scripts that haven’t been sold.
Stupid name, considering the ‘Black List’ connotation, isn’t it?) It is to be directed by Lynne Ramsay, helmer
of WE’VE GOT TO TALK ABOUT KEVIN.
Portman previously starred in the Western COLD
MOUNTAIN (2003). JANE GOT A GUN is about a woman whose bandit spouse comes home shot to
pieces and nearly dead. When his
ex-associates come to finish him off, the woman turns to an ex-beau to save
them.
MGM ANNOUNCES
MAGNIFICENT 7 REMAKE STARRING TOM CRUISE!
MGM, recently out
of bankruptcy, is planning a slew of remakes of already-owned properties, and
John Sturges' MAGNIFICENT 7 is one of them. The conjecture is that he would be
taking on the Steve McQueen role, but that’s only conjecture. If they’re going for physical type, the Horst
Buchholz seems like a better match. Thanks
to Nilton Hargrave for the tip!
A three-week Spaghetti Western Festival will run for three weeks, from June
1st through the 21st, featuring 26 films, and with repeat
playdates for most. Sixteen feature
Ennio Morricone scores. Directors
include the two Sergios, Leone and Corbucci, plus Tinto Brass, Giancarlo Santi,
Damiano Damiani, and many more (surprisingly no Enzo Castellari). The titles: DJANGO; A FISTFUL OF DOLLARS; THE
BIG GUNDOWN; DEATH RIDES A HORSE; FACE TO FACE; TEPEPA; DJANGO KILL…IF YOULIVE,
SHOOT!; THE MERCENARY; A BULLET FOR THE GENERAL; NAVJO JOE; COMPANEROS;
HELLBENDERS; THE GREAT SILENCE; FOR A FEW DOLLARS MORE; SARTANA; THE PRICE OF
POWER; THE GOOD, THE BAD AND THE UGLY; THE HILLS RUN RED; THE BIG SHOWDOWN;
SABATA; CHINA 9, LIBERTY 37; DUCK, YOU SUCKER!; KILL AND PRAY; YANKEE; ONCE
UPON A TIME IN THE WEST; and THE RUTHLESS FOUR. Star Tony Musante will be present for the June
4th screening of THE MERCENARY.
Spaghetti Western maven Arthur Cox will introduce THE PRICE OF POWER on
June 7th. The event is
presented in association with CSC-Cineteca Nazionale (Rome ), with support from the Italian Cultural
Institute of New York. To learn more, go
HERE.
More and more, classic TV Westerns are available all over the TV universe, but they tend to be on small networks that are easy to miss. Of course, ENCORE WESTERNSis the best continuous source of such programming, and has been for years. Currently they run LAWMAN, WAGON TRAIN, HAVE GUN WILL TRAVEL,LAREDO , RAWHIDE, GUNSMOKE, THE REBEL, and MARSHALL DILLON, which is the syndication title for the original half-hour GUNSMOKE.
RFD-TV is currently showing THE ROY ROGERS SHOW, first at 9:30 a.m. Sunday, Pacific Time, then repeated several times a week. They show a Royfeature every Tuesday as well, with repeats -- check your local listings.
INSP-TVshows THE BIG VALLEY Monday through Saturday,LITTLE HOUSE ON THE PRAIRIE seven days a week, DR. QUINN: MEDICINE WOMANon weekdays, and BONANZA on Saturdays.
WHT runs DANIEL BOONE on weekdays from 2:00 to 3:00 p.m., Pacific Time, but they’ve just stopped showing BAT MASTERSON. They often show western films on the weekend, but the schedule is sporadic.
TVLAND has dropped GUNSMOKEafter all these years, but still shows four episodes of BONANZAevery weekday.
For those of you who watch TV with an antenna, there are at least a couple of channels that exist between the standard numbers – largely unavailable on cable or satellite systems – that provide Western fare. ANTENNA TV is currently running RIN TIN TIN, HERE COME THE BRIDES, and IRON HORSE.
THE AUTRY NATIONAL CENTER
Built by cowboy actor, singer, baseball and TV entrepeneur Gene Autry, and designed by the Disney Imagineering team, the Autry is a world-class museum housing a fascinating collection of items related to the fact, fiction, film, history and art of the American West. In addition to their permenant galleries (to which new items are frequently added), they have temporary shows. The Autry has many special programs every week -- sometimes several in a day. To check their daily calendar, CLICK HERE. And they always have gold panning for kids every weekend. For directions, hours, admission prices, and all other information, CLICK HERE.
SATURDAY, June 2nd, see a double bill of Gene's movies, MELODY TRAIL (1935) and SOUTH OF THE BORDER (1939), noon in the Imagination Gallery's Western Legacy Theater.
HOLLYWOOD HERITAGE MUSEUM
Across the street from the Hollywood Bowl, this building, once the headquarters of Lasky-Famous Players (later Paramount Pictures) was the original DeMille Barn, where Cecil B. DeMille made the firstHollywood western, The Squaw Man. They have a permanent display of movie props, documents and other items related to early, especially silent, film production. They also have occasional special programs. 2100 Highland Ave. ,L.A. CA 323-874-2276. Thursday – Sunday 12 p.m. to 4 p.m. $5 for adults, $3 for senior, $1 for children.
WELLS FARGO HISTORY MUSEUM
This small but entertaining museum gives a detailed history of Wells Fargo when the name suggested stage-coaches rather than ATMS. There’s a historically accurate reproduction of an agent’s office, an original Concord Coach, and other historical displays. Open Monday through Friday, from 9:00 a.m. to 5:00 a.m. Admission is free. 213-253-7166.333 S. Grand Street ,L.A. CA.
TV WESTERNS ALL OVER THE DIAL!
More and more, classic TV Westerns are available all over the TV universe, but they tend to be on small networks that are easy to miss. Of course, ENCORE WESTERNSis the best continuous source of such programming, and has been for years. Currently they run LAWMAN, WAGON TRAIN, HAVE GUN WILL TRAVEL,
RFD-TV is currently showing THE ROY ROGERS SHOW, first at 9:30 a.m. Sunday, Pacific Time, then repeated several times a week. They show a Royfeature every Tuesday as well, with repeats -- check your local listings.
INSP-TVshows THE BIG VALLEY Monday through Saturday,LITTLE HOUSE ON THE PRAIRIE seven days a week, DR. QUINN: MEDICINE WOMANon weekdays, and BONANZA on Saturdays.
WHT runs DANIEL BOONE on weekdays from 2:00 to 3:00 p.m., Pacific Time, but they’ve just stopped showing BAT MASTERSON. They often show western films on the weekend, but the schedule is sporadic.
TVLAND has dropped GUNSMOKEafter all these years, but still shows four episodes of BONANZAevery weekday.
For those of you who watch TV with an antenna, there are at least a couple of channels that exist between the standard numbers – largely unavailable on cable or satellite systems – that provide Western fare. ANTENNA TV is currently running RIN TIN TIN, HERE COME THE BRIDES, and IRON HORSE.
THE AUTRY NATIONAL CENTER
Built by cowboy actor, singer, baseball and TV entrepeneur Gene Autry, and designed by the Disney Imagineering team, the Autry is a world-class museum housing a fascinating collection of items related to the fact, fiction, film, history and art of the American West. In addition to their permenant galleries (to which new items are frequently added), they have temporary shows. The Autry has many special programs every week -- sometimes several in a day. To check their daily calendar, CLICK HERE. And they always have gold panning for kids every weekend. For directions, hours, admission prices, and all other information, CLICK HERE.
SATURDAY, June 2nd, see a double bill of Gene's movies, MELODY TRAIL (1935) and SOUTH OF THE BORDER (1939), noon in the Imagination Gallery's Western Legacy Theater.
Across the street from the Hollywood Bowl, this building, once the headquarters of Lasky-Famous Players (later Paramount Pictures) was the original DeMille Barn, where Cecil B. DeMille made the first
This small but entertaining museum gives a detailed history of Wells Fargo when the name suggested stage-coaches rather than ATMS. There’s a historically accurate reproduction of an agent’s office, an original Concord Coach, and other historical displays. Open Monday through Friday, from 9:00 a.m. to 5:00 a.m. Admission is free. 213-253-7166.
TCM FANATIC - WESTERN NOW ONLINE!
That's right, the segment I was interviewed for is now
viewable here:
That's it for today's Round-up! Remember that ABRAHAM LINCOLN VS. ZOMBIES is available starting on Tuesday, and LONGMIRE premieres on A&E On Sunday, June 3rd. And in next Suday's Round-up I'll feature my review of the new HALLMARK CHANNEL WESTERN, HANNAH'S LAW, along with my interview with it's writer-producer John Fasano. Have a great Memorial Day Weekend, and don't forget the men and women who gave their lives to protect our freedoms!
Happy Trails,
Henry
All Original Contents Copyright May 2012 by Henry C. Parke -- All Rights Reserved
Just saw the TMC segment. Good job Henry. By the way, Buddies in the Saddle, a website you might enjoy, is reviewing my novel, Scalp Mountain, tomorrow (I think) and posting an interview with me. Don't miss it. Thanks, Julia
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